| Best Picture |
Best Director |
- Tom Jones
- America, America
- Cleopatra
- How the West Was Won
- Lilies of the Field
|
- Tony Richardson – Tom Jones
- Elia Kazan – America, America
- Martin Ritt – Hud
- Otto Preminger – The Cardinal
- Federico Fellini – 8½
|
| Best Actor |
Best Actress |
- Sidney Poitier – Lilies of the Field
- Paul Newman – Hud
- Albert Finney – Tom Jones
- Rex Harrison – Cleopatra
- Richard Harris – This Sporting Life
|
- Patricia Neal – Hud
- Rachel Roberts – This Sporting Life
- Shirley MacLaine – Irma la Douce
- Natalie Wood – Love with the Proper Stranger
- Leslie Caron – The L-Shaped Room
|
| Best Supporting Actor |
Best Supporting Actress |
- Melvyn Douglas – Hud
- Hugh Griffith – Tom Jones
- John Huston – The Cardinal
- Bobby Darin – Captain Newman, M.D.
- Nick Adams – Twilight of Honor
|
- Margaret Rutherford – The V.I.P.s
- Lilia Skala – Lilies of the Field
- Diane Cilento – Tom Jones
- Edith Evans – Tom Jones
- Joyce Redman – Tom Jones
|
| Best Original Screenplay |
Best Adapted Screenplay |
- How the West Was Won – James R. Webb
- 8½ – Federico Fellini, Ennio Flaiano, Tullio Pinelli and Brunello Rondi
- America, America – Elia Kazan
- Love with the Proper Stranger – Arnold Schulman
- The Four Days of Naples – Carlo Bernari, Vasco Pratolini, Nanni Loy, Pasquale Festa Campanile and Massimo Franciosa
|
- Tom Jones – John Osborne
- Lilies of the Field – James Poe
- Captain Newman, M.D. – Richard L. Breen, Phoebe Ephron and Henry Ephron
- Hud – Irving Ravetch and Harriet Frank, Jr.
- Sundays and Cybele – Antoine Tudal and Serge Bourguignon
|
| Best Foreign Language Film |
Best Original Song |
- 8½ (Italy)
- Twin Sisters of Kyoto (Japan)
- Los Tarantos (Spain)
- Knife in the Water (Poland)
- The Red Lanterns (Greece)
|
- "Call Me Irresponsible" from Papa's Delicate Condition – Music by Jimmy Van Heusen; Lyric by Sammy Cahn
- "So Little Time" from 55 Days at Peking – Music by Dimitri Tiomkin; Lyric by Paul Francis Webster
- "Charade" from Charade – Music by Henry Mancini; Lyric by Johnny Mercer
- "It's a Mad Mad Mad Mad World" from It's a Mad, Mad, Mad, Mad World – Music by Ernest Gold; Lyric by Mack David
- "More" from Mondo cane – Music by Riz Ortolani and Nino Oliviero; Lyric by Norman Newell
|
| Best Documentary Feature |
Best Documentary Short |
- Robert Frost: A Lover's Quarrel With the World
- Le Maillon et la Chaine
- The Yanks Are Coming
|
- Chagall
- The Five Cities of June
- The Spirit of America
- Thirty Million Letters
- To Live Again
|
| Best Live Action Short |
Best Animated Short |
- An Occurrence at Owl Creek Bridge
- The Concert
- Home-Made Car
- Six-Sided Triangle
- That's Me
|
- The Critic
- Automania 2000
- The Game
- My Financial Career
- Pianissimo
|
| Best Original Score |
Best Adaptation or Treatment Score |
- Tom Jones – John Addison
- 55 Days at Peking – Dimitri Tiomkin
- Cleopatra – Alex North
- How the West Was Won – Alfred Newman and Ken Darby
- It's a Mad, Mad, Mad, Mad World – Ernest Gold'
|
- Irma la Douce – Andre Previn
- A New Kind of Love – Leith Stevens
- Bye Bye Birdie – Johnny Green
- The Sword in the Stone – George Bruns
- Sundays and Cybele – Maurice Jarre
|
| Best Sound Editing |
Best Sound Mixing |
- It's a Mad, Mad, Mad, Mad World – Walter G. Elliott
- A Gathering of Eagles – Robert L. Bratton
|
- How the West Was Won - Franklin Milton
- Bye Bye Birdie - Charles Rice
- Captain Newman, M. D. - Waldon O. Watson
- Cleopatra - James Corcoran, Fred Hynes
- It's a Mad, Mad, Mad, Mad World - Gordon E. Sawyer
|
| Best Art Direction, Black and White |
Best Art Direction, Color |
- America, America – Art Direction and Set Decoration: Gene Callahan
- 8½ – Art Direction and Set Decoration: Piero Gherardi
- Hud – Art Direction: Hal Pereira and Tambi Larsen; Set Decoration: Sam Comer and Robert R. Benton
- Love With the Proper Stranger – Art Direction: Hal Pereira and Roland Anderson; Set Decoration: Sam Comer and Grace Gregory
- Twilight of Honor – Art Direction: George Davis and Paul Groesse; Set Decoration: Henry Grace and Hugh Hunt
|
- Cleopatra – Art Direction: John DeCuir, Jack Martin Smith, Hilyard Brown, Herman Blumenthal, Elven Webb, Maurice Pelling and Boris Juraga; Set Decoration: Walter M. Scott, Paul S. Fox and Ray Moyer
- Come Blow Your Horn – Art Direction: Hal Pereira and Roland Anderson; Set Decoration: Sam Comer and James W. Payne
- How the West Was Won – Art Direction: George Davis, William Ferrari and Addison Hehr; Set Decoration: Henry Grace, Don Greenwood, Jr. and Jack Mills
- The Cardinal – Art Direction: Lyle Wheeler; Set Decoration: Gene Callahan
- Tom Jones – Art Direction: Ralph Brinton, Ted Marshall and Jocelyn Herbert; Set Decoration: Josie MacAvin
|
| Best Cinematography, Black and White |
Best Cinematography, Color |
- Hud – James Wong Howe
- Lilies of the Field – Ernest Haller
- Love With the Proper Stranger – Milton Krasner
- The Balcony – George Folsey
- The Caretakers – Lucien Ballard
|
- Cleopatra – Leon Shamroy
- How the West Was Won – William H. Daniels, Milton Krasner, Charles Lang, Jr. and Joseph LaShelle
- Irma la Douce – Joseph LaShelle
- It's a Mad, Mad, Mad, Mad World – Ernest Laszlo
- The Cardinal – Leon Shamroy
|
| Best Costume Design, Black and White |
Best Costume Design, Color |
- 8½ – Piero Gherardi
- The Stripper – Travilla
- Toys in the Attic – Bill Thomas
- Wives and Lovers – Edith Head
- Love With the Proper Stranger – Edith Head
|
- Cleopatra – Irene Sharaff, Vittorio Nino Novarese and Renie Conley
- How the West Was Won – Walter Plunkett
- A New Kind of Love – Edith Head
- The Leopard – Piero Tosi
- The Cardinal – Donald Brooks
|
| Best Film Editing |
Best Visual Effects |
- How the West Was Won – Harold F. Kress
- Cleopatra – Dorothy Spencer
- The Cardinal – Louis R. Loeffler
- The Great Escape – Ferris Webster
- It's a Mad, Mad, Mad, Mad World – Frederic Knudtson, Robert C. Jones and Gene Fowler, Jr.
|
- Cleopatra – Emil Kosa, Jr.
|