| Best Picture |
Best Director |
- Lawrence of Arabia
- The Longest Day
- The Music Man
- Mutiny on the Bounty
- To Kill a Mockingbird
|
- David Lean – Lawrence of Arabia
- Pietro Germi – Divorce, Italian Style
- Robert Mulligan – To Kill a Mockingbird
- Arthur Penn – The Miracle Worker
- Frank Perry – David and Lisa
|
| Best Actor |
Best Actress |
- Gregory Peck – To Kill a Mockingbird
- Burt Lancaster – Birdman of Alcatraz
- Jack Lemmon – Days of Wine and Roses
- Marcello Mastroianni – Divorce, Italian Style
- Peter O'Toole – Lawrence of Arabia
|
- Anne Bancroft – The Miracle Worker
- Bette Davis – What Ever Happened to Baby Jane?
- Katharine Hepburn – Long Day's Journey Into Night
- Geraldine Page – Sweet Bird of Youth
- Lee Remick – Days of Wine and Roses
|
| Best Supporting Actor |
Best Supporting Actress |
- Ed Begley – Sweet Bird of Youth
- Victor Buono – What Ever Happened to Baby Jane?
- Telly Savalas – Birdman of Alcatraz
- Omar Sharif – Lawrence of Arabia
- Terence Stamp – Billy Budd
|
- Patty Duke – The Miracle Worker
- Mary Badham – To Kill a Mockingbird
- Shirley Knight – Sweet Bird of Youth
- Angela Lansbury – The Manchurian Candidate
- Thelma Ritter – Birdman of Alcatraz
|
| Best Original Screenplay |
Best Adapted Screenplay |
- Divorce, Italian Style – Ennio de Concini, Alfredo Giannetti and Pietro Germi
- Through a Glass Darkly – Ingmar Bergman
- Freud – Story by Charles Kaufman; Screenplay by Charles Kaufman and Wolfgang Reinhardt
- Last Year at Marienbad – Alain Robbe-Grillet
- That Touch of Mink – Stanley Shapiro and Nate Monaster
|
- To Kill a Mockingbird – Horton Foote
- Lawrence of Arabia – Robert Bolt
- The Miracle Worker – William Gibson
- Lolita – Vladimir Nabokov
- David and Lisa – Eleanor Perry
|
| Best Foreign Language Film |
- Sundays and Cybele (France)
- Electra (Greece)
- The Four Days of Naples (Italy)
- Keeper of Promises (The Given Word) (Brazil)
- Tlayucan (Mexico)
|
| Best Documentary Feature |
Best Documentary Short |
|
|
- Dylan Thomas
- The John Glenn Story
- The Road to the Wall
|
| Best Live Action Short |
Best Animated Short |
- Heureux Anniversaire
- Big City Blues
- The Cadillac
- The Cliff Dwellers
- Pan
|
- The Hole
- Icarus Montgolfier Wright
- Now Hear This
- Self Defense ... for Cowards
- Symposium on Popular Songs
|
| Best Original Score |
Best Adaptation or Treatment Score |
- Lawrence of Arabia – Maurice Jarre
- To Kill a Mockingbird – Elmer Bernstein
- Freud – Jerry Goldsmith
- Mutiny on the Bounty – Bronislau Kaper
- Taras Bulba – Franz Waxman
|
- The Music Man – Ray Heindorf
- The Wonderful World of the Brothers Grimm – Leigh Harline
- Gigot – Michel Magne
- Gypsy – Frank Perkins
- Billy Rose's Jumbo – George Stoll
|
| Best Original Song |
Best Sound Recording |
- "Days of Wine and Roses" from Days of Wine and Roses – Music by Henry Mancini; Lyric by Johnny Mercer
- "Love Song From Mutiny on the Bounty (Follow Me)" from Mutiny on the Bounty – Music by Bronislau Kaper; Lyric by Paul Francis Webster
- "Song From Two for the Seesaw (Second Chance)" from Two for the Seesaw – Music by André Previn; Lyric by Dory Langdon
- "Tender Is the Night" from Tender Is the Night – Music by Sammy Fain; Lyric by Paul Francis Webster
- "Walk on the Wild Side" from Walk on the Wild Side – Music by Elmer Bernstein; Lyric by Mack David
|
- Lawrence of Arabia – John Cox
- That Touch of Mink – Waldon O. Watson
- Bon Voyage! – Robert O. Cook
- What Ever Happened to Baby Jane? – Joseph D. Kelly
- The Music Man – George R. Groves
|
| Best Art Direction, Black and White |
Best Art Direction, Color |
- To Kill a Mockingbird – Art Direction: Alexander Golitzen and Henry Bumstead; Set Decoration: Oliver Emert
- Period of Adjustment – Art Direction: George Davis and Edward Carfagno; Set Decoration: Henry Grace and Dick Pefferle
- The Longest Day – Art Direction: Ted Haworth, Leon Barsacq and Vincent Korda; Set Decoration: Gabriel Bechir
- The Pigeon That Took Rome – Art Direction: Hal Pereira and Roland Anderson; Set Decoration: Sam Comer and Frank R. McKelvy
- Days of Wine and Roses – Art Direction: Joseph C. Wright; Set Decoration: George James Hopkins
|
- Lawrence of Arabia – Art Direction: John Box and John Stoll; Set Decoration: Dario Simoni
- The Wonderful World of the Brothers Grimm – Art Direction: George Davis and Edward Carfagno; Set Decoration: Henry Grace and Dick Pefferle
- That Touch of Mink – Art Direction: Alexander Golitzen and Robert Clatworthy; Set Decoration: George Milo
- The Music Man – Art Direction: Paul Groesse; Set Decoration: George James Hopkins
- Mutiny on the Bounty – Art Direction and Set Decoration: Hugh Hunt
|
| Best Cinematography, Black and White |
Best Cinematography, Color |
- The Longest Day – Jean Bourgoin and Walter Wottitz
- Birdman of Alcatraz – Burnett Guffey
- What Ever Happened to Baby Jane? – Ernest Haller
- To Kill a Mockingbird – Russell Harlan
- Two for the Seesaw – Ted McCord
|
- Lawrence of Arabia – Freddie Young
- Hatari! – Russell Harlan
- Gypsy – Harry Stradling
- Mutiny on the Bounty – Robert L. Surtees
- The Wonderful World of the Brothers Grimm – Paul C. Vogel
|
| Best Costume Design, Black and White |
Best Costume Design, Color |
- What Ever Happened to Baby Jane? – Norma Koch
- Days of Wine and Roses – Don Feld
- The Man Who Shot Liberty Valance – Edith Head
- The Miracle Worker – Ruth Morley
- Phaedra – Denny Vachlioti
|
- The Wonderful World of the Brothers Grimm – Mary Wills
- My Geisha – Edith Head
- The Music Man – Dorothy Jeakins
- Gypsy – Orry-Kelly
- Bon Voyage! – Bill Thomas
|
| Best Film Editing |
Best Visual Effects |
- Lawrence of Arabia – Anne Coates
- The Longest Day – Samuel E. Beetley
- Mutiny on the Bounty – John McSweeney, Jr.
- The Manchurian Candidate – Ferris Webster
- The Music Man – William Ziegler
|
- The Longest Day – Robert MacDonald and Jacques Maumont
- Mutiny on the Bounty – A. Arnold Gillespie and Milo Lory
|