Best Motion Picture |
Best Director |
- The Apartment
- Elmer Gantry
- Sons and Lovers
- The Alamo
- The Sundowners
|
- Billy Wilder – The Apartment
- Alfred Hitchcock – Psycho
- Jules Dassin – Never on Sunday
- Jack Cardiff – Sons and Lovers
- Fred Zinnemann – The Sundowners
|
Best Actor |
Best Actress |
- Burt Lancaster – Elmer Gantry
- Spencer Tracy – Inherit The Wind
- Trevor Howard – Sons and Lovers
- Jack Lemmon – The Apartment
- Laurence Olivier – The Entertainer
|
- Elizabeth Taylor – Butterfield 8
- Melina Mercouri – Never on Sunday
- Greer Garson – Sunrise at Campobello
- Shirley MacLaine – The Apartment
- Deborah Kerr – The Sundowners
|
Best Supporting Actor |
Best Supporting Actress |
- Peter Ustinov – Spartacus
- Sal Mineo – Exodus
- Peter Falk – Murder, Inc.
- Chill Wills – The Alamo
- Jack Kruschen – The Apartment
|
- Shirley Jones – Elmer Gantry
- Janet Leigh – Psycho
- Mary Ure – Sons and Lovers
- Shirley Knight – The Dark at the Top of the Stairs
- Glynis Johns – The Sundowners
|
Best Original Screenplay |
Best Adapted Screenplay |
- The Apartment – Billy Wilder and I. A. L. Diamond
- Never on Sunday – Jules Dassin
- Hiroshima, My Love – Marguerite Duras
- The Angry Silence – Richard Gregson, Michael Craig and Bryan Forbes
- The Facts of Life – Melvin Frank and Norman Panama
|
- Elmer Gantry – Richard Brooks
- Inherit the Wind – Nedrick Young and Harold Jacob Smith
- Sons and Lovers – Gavin Lambert and T. E. B. Clarke
- The Sundowners – Isobel Lennart
- Tunes of Glory – James Kennaway
|
Best Foreign Language Film |
- The Virgin Spring (Sweden)
- Kapo (Italy)
- La Vérité (France)
- Macario (Mexico)
- The Ninth Circle (Yugoslavia)
|
Best Documentary Feature |
Best Documentary Short |
- The Horse with the Flying Tail
|
- Giuseppina
- Beyond Silence
- A City Called Copenhagen
- George Grosz' Interregnum
- Universe
|
Best Live Action Short |
Best Animated Short |
- Day of the Painter
- The Creation of Woman
- Islands of the Sea
- A Sport Is Born
|
- Munro
- Goliath II
- High Note
- Mouse and Garden
- A Place in the Sun
|
Best Dramatic or Comedy Score |
Best Musical Score |
- Exodus – Ernest Gold
- Elmer Gantry – André Previn
- Spartacus – Alex North
- The Alamo – Dimitri Tiomkin
- The Magnificent Seven – Elmer Bernstein
|
- Song Without End – Morris Stoloff and Harry Sukman
- Bells Are Ringing – André Previn
- Can-Can – Nelson Riddle
- Pepe – Johnny Green
- Let's Make Love – Lionel Newman and Earle H. Hagen
|
Best Original Song |
Best Sound Recording |
- "Never on Sunday" from Never on Sunday – Music and Lyric by Manos Hatzidakis
- "The Second Time Around" from High Time – Music by Jimmy Van Heusen and Lyrics by Sammy Cahn
- "Faraway Part of Town" from Pepe – Music by Andre Previn; Lyric by Dory Previn
- "The Green Leaves of Summer" from The Alamo – Music by Dimitri Tiomkin; Lyric by Paul Francis Webster
- "The Facts of Life" from The Facts of Life – Music and Lyric by Johnny Mercer
|
- The Alamo – Gordon E. Sawyer and Fred Hynes, Samuel Goldwyn Studio Sound Department and Todd-AO Sound Department
- Cimarron – Franklin E. Milton, MGM Studio Sound Department
- Pepe – Charles Rice, Columbia Studio Sound Department
- Sunrise at Campobello – George R. Groves, Warner Bros. Studio Sound Department
- The Apartment – Gordon E. Sawyer, Samuel Goldwyn Studio Sound Department
|
Best Art Direction, Black and White |
Best Art Direction, Color |
- The Apartment – Art Direction: Alexander Trauner; Set Decoration: Edward G. Boyle
- Psycho – Art Direction: Joseph Hurley and Robert Clatworthy; Set Decoration: George Milo
- Sons and Lovers – Art Direction: Tom Morahan; Set Decoration: Lionel Couch
- The Facts of Life – Art Direction: Joseph McMillan Johnson and Kenneth A. Reid; Set Decoration: Ross Dowd
- Visit to a Small Planet – Art Direction: Hal Pereira and Walter Tyler; Set Decoration: Sam Comer and Arthur Krams
|
- Spartacus – Art Direction: Alexander Golitzen and Eric Orbom; Set Decoration: Russell A. Gausman and Julia Heron
- Cimarron – Art Direction: George Davis and Addison Hehr; Set Decoration: Henry Grace, Hugh Hunt and Otto Siegel
- It Started in Naples – Art Direction: Hal Pereira and Roland Anderson; Set Decoration: Sam Comer and Arrigo Breschi
- Pepe – Art Direction: Ted Haworth; Set Decoration: William Kiernan
- Sunrise at Campobello – Art Direction: Edward Carrere; Set Decoration: George James Hopkins
|
Best Cinematography, Black and White |
Best Cinematography, Color |
- Sons and Lovers – Freddie Francis
- Inherit the Wind – Ernest Laszlo
- Psycho – John L. Russell
- The Apartment – Joseph LaShelle
- The Facts of Life – Charles Lang, Jr.
|
- Spartacus – Russell Metty
- Butterfield 8 – Joseph Ruttenberg and Charles Harten
- Exodus – Sam Leavitt
- Pepe – Joseph MacDonald
- The Alamo – William H. Clothier
|
Best Costume Design, Black and White |
Best Costume Design, Color |
- The Facts of Life – Edith Head and Edward Stevenson
- Never on Sunday – Deni Vachlioti
- The Virgin Spring – Marik Vos
- Seven Thieves – Bill Thomas
- The Rise and Fall of Legs Diamond – Howard Shoup
|
- Spartacus – Bill Thomas and Valles
- Can-Can – Irene Sharaff
- Midnight Lace – Irene
- Pepe – Edith Head
- Sunrise at Campobello – Marjorie Best
|
Best Film Editing |
Best Visual Effects |
- The Apartment – Daniel Mandell
- Inherit the Wind – Frederic Knudtson
- Pepe – Viola Lawrence and Al Clark
- Spartacus – Robert Lawrence
- The Alamo – Stuart Gilmore
|
- The Time Machine – Gene Warren and Tim Baar
- The Last Voyage – A.J. Lohman
|