Episodes
| # | Title | Ratings | Original air date |
|---|---|---|---|
| 1 | "Drink Rexponsibly" | 38,000 (20th) | September 7, 2009 (2009-09-07) |
| 2 | "Be The Tool" | September 14, 2009 (2009-09-14) | |
| BND's masculinity is put to the test when briefed on two campaigns, however the largely male creative department is having trouble penetrating anything as Martin and Sumo wrestle over a female staff member. | |||
| 3 | "Good Clown Bad Clown" | September 21, 2009 (2009-09-21) | |
| Bob's Burgers are worried about a new government report linking fast food and childhood obesity. BND's ingenious response hits problems when the Bobo Clown clashes with effeminate Cuban burger stylist Raoul. | |||
| 4 | "Invisible Fault Lines" | September 28, 2009 (2009-09-28) | |
| At 25, Sophie Marsh, the face of Láfinité Rejuvenale is too old. BND need to find a new model and a new campaign for the famous anti-ageing brand. | |||
| 5 | "Twenty One Today" | October 5, 2009 (2009-10-05) | |
| Martin's career flashes before his eyes as he plummets from 3rd to 21st in the Campaign Brief creative rankings, while Daiyonda are in a spin as their cars are voted 'worst on emissions' | |||
| 6 | "A Matter of Trust" | October 12, 2009 (2009-10-12) | |
| A new business prospect presents a conflict of interest between a prospective client and BND's founding client; Brooker has big plans for the agency while Martin wrestles with a large overseas job offer. |
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Famous quotes containing the word episodes:
“Twenty or thirty years ago, in the army, we had a lot of obscure adventures, and years later we tell them at parties, and suddenly we realize that those two very difficult years of our lives have become lumped together into a few episodes that have lodged in our memory in a standardized form, and are always told in a standardized way, in the same words. But in fact that lump of memories has nothing whatsoever to do with our experience of those two years in the army and what it has made of us.”
—Václav Havel (b. 1936)
“What is a novel if not a conviction of our fellow-men’s existence strong enough to take upon itself a form of imagined life clearer than reality and whose accumulated verisimilitude of selected episodes puts to shame the pride of documentary history?”
—Joseph Conrad (1857–1924)