30 Days of Night (film) - Production

Production

30 Days of Night author Steve Niles conceived of the story in the form of a comic but after meeting a lack of interest in initial pitches tried to pitch it as a film. When this did not work out Niles shelved the idea until he showed it to IDW Publishing. IDW published the comic and Ben Templesmith provided the artwork. When Niles and his agent, Jon Levin, shopped the comic around again as a potential film adaptation, Niles found that the idea "went shockingly well," with Sam Raimi and Senator International picking up the property rights based on the original concept and Templesmith's unique mood and concepts for the vampires. According to Raimi, the potential project was "unlike the horror films of recent years".

Following the publication of the 30 Days of Night comic book miniseries in 2002, studios, including DreamWorks, MGM and Senator International, bid in the $1 million range for rights to a potential vampire film based on the story. Director and producer Sam Raimi expressed interest in adapting the miniseries and was negotiating a production deal with his producing partner Robert Tapert to establish a label with Senator Entertainment, of which Senator International is the sales division. In July 2002, Senator International acquired the rights for 30 Days of Night in a seven figure deal with Raimi and Tapert attached as producers.

By October 2002, Niles was working on adapting 30 Days of Night for the big screen, keeping the film true to the miniseries, though fleshing out the characters more significantly in the adaptation process. In February 2003, Columbia Pictures partnered with Senator International to work on 30 Days of Night, which was developing under Senator International's newly-established production company, Ghost House Pictures. Mike Richardson, the Dark Horse Comics publisher who supported the adaptation project from the beginning, after having turned down an offer to initially publish the project, was attached as executive producer. The following March, Richardson revealed that Steve Niles had turned in the initial draft for the 30 Days of Night screenplay. In March 2004, however, Columbia Pictures requested that Niles's initial screenplay to be rewritten in preparation for production. Sue Binder, the business manager of Ghost House Pictures, indicated that filming for 30 Days of Night was still at least a year away, as Ghost House planned to produce three films before the vampire thriller. The following May, Stuart Beattie, one of the writers for Pirates of the Caribbean: The Curse of the Black Pearl, was rewriting Niles's 30 Days of Night draft for production. Niles was pleased with Beattie's faithfully rewritten script, which was submitted to the studio in October 2004.

In September 2005, it was announced that director David Slade had signed on to 30 Days of Night, which would be distributed by Columbia Pictures mainly in North America and Mandate Pictures in international territories. In March 2006, Slade revealed that screenwriter Brian Nelson, who wrote the screenplay for Slade's previous film Hard Candy, was writing a new draft of the 30 Days of Night script, replacing Beattie's draft. The director said that filming would begin in summer 2006 in Alaska and New Zealand.

In June 2006, it was announced that Josh Hartnett was cast as the husband of the married couple that serves as the town's sheriff team. Melissa George joined the 30 Days of Night cast as the wife of Hartnett's character. Danny Huston joined the cast as the leader of the vampires. Filming did not begin immediately, but in a September 2006 interview, executive producer Mike Richardson said that 30 Days of Night would be shot on 35 mm film, though there had been discussion to shoot the film on Genesis. In an interview prior to filming, Slade explained that the illustrations of the graphic novel's illustrator, Ben Templesmith, would be reflected in production design. Slade also considered Nelson's draft to be the most faithful to the graphic novel. He also stated his intention to make a "scary vampire film", of which he didn't think there were many. "The rest of them, they fall into all kinds of traps. We're going to try to do our best... and one of the ways we have to do it is be more naturalistic than the graphic novel, because it's very over-the-top," said Slade. There was also concern expressed that while the vampires needed to communicate, talking might lessen the effect. To counter this, a fictional vampire language, with click consonants, was constructed with the help of a professor of linguistics and the nearby University of Auckland. Slade explained "we designed this really simple language that didn't sound like any particular accent that you would be aware of, that was based around really simple actions, eating, hunting, yes, no, really basic, because that's what vampires do."

By February 2007, the production phase was completed, and a rough cut of the film was prepared. In April, composer Brian Reitzell was hired to score the film.