24th Academy Awards - Awards

Awards

Winners are listed first and highlighted in boldface.

Best Motion Picture Best Director
  • Arthur Freed for Metro-Goldwyn-Mayer - An American in Paris
    • Anatole Litvak and Frank McCarthy for 20th Century Fox - Decision Before Dawn
    • George Stevens for Paramount Pictures - A Place in the Sun
    • Sam Zimbalist for Metro-Goldwyn-Mayer - Quo Vadis
    • Charles K. Feldman for Warner Bros. - A Streetcar Named Desire
  • George Stevens – A Place in the Sun
    • John Huston – The African Queen
    • Elia Kazan – A Streetcar Named Desire
    • Vincente Minnelli – An American in Paris
    • William Wyler – Detective Story
Best Actor Best Actress
  • Humphrey Bogart – The African Queen
    • Marlon Brando – A Streetcar Named Desire
    • Montgomery Clift – A Place in the Sun
    • Arthur Kennedy – Bright Victory
    • Fredric March – Death of a Salesman
  • Vivien Leigh – A Streetcar Named Desire
    • Katharine Hepburn – The African Queen
    • Eleanor Parker – Detective Story
    • Shelley Winters – A Place in the Sun
    • Jane Wyman – The Blue Veil
Best Supporting Actor Best Supporting Actress
  • Karl Malden – A Streetcar Named Desire
    • Leo Genn – Quo Vadis
    • Kevin McCarthy – Death of a Salesman
    • Peter Ustinov – Quo Vadis
    • Gig Young – Come Fill the Cup
  • Kim Hunter – A Streetcar Named Desire
    • Joan Blondell – The Blue Veil
    • Mildred Dunnock – Death of a Salesman
    • Lee Grant – Detective Story
    • Thelma Ritter – The Mating Season
Best Screenplay Best Story and Screenplay
  • A Place in the Sun – Michael Wilson and Harry Brown
    • The African Queen – James Agee and John Huston
    • La Ronde – Jacques Natanson and Max Ophüls
    • A Streetcar Named Desire – Tennessee Williams
    • Detective Story – Philip Yordan and Robert Wyler
  • An American in Paris – Alan Jay Lerner
    • David and Bathsheba – Philip Dunne
    • The Well – Clarence Greene and Russell Rouse
    • Go for Broke! – Robert Pirosh
    • The Big Carnival – Billy Wilder, Lesser Samuels and Walter Newman
Best Story Best Animated Short Film
  • Seven Days to Noon – Paul Dehn and James Bernard
    • Bullfighter and the Lady – Budd Boetticher and Ray Nazarro
    • Teresa – Alfred Hayes and Stewart Stern
    • The Frogmen – Oscar Millard
    • Here Comes the Groom – Robert Riskin and Liam O'Brien
  • The Two Mouseketeers
    • Lambert the Sheepish Lion
    • Rooty Toot Toot
Best Documentary Feature Best Documentary Short
  • Kon-Tiki
    • I Was a Communist for the F.B.I.
  • Benjy
    • One Who Came Back
    • The Seeing Eye
Best Live Action Short Film, One-Reel Best Live Action Short Film, Two-Reel
  • World of Kids
    • Ridin' the Rails
    • The Story of Time
  • Nature's Half Acre
    • Balzac
    • Danger Under the Sea
Best Dramatic or Comedy Score Best Musical Score
  • A Place in the Sun – Franz Waxman
    • David and Bathsheba – Alfred Newman
    • Death of a Salesman – Alex North
    • A Streetcar Named Desire – Alex North
    • Quo Vadis – Miklos Rozsa
  • An American in Paris – Johnny Green and Saul Chaplin
    • The Great Caruso – Peter Herman Adler and Johnny Green
    • Show Boat – Adolph Deutsch and Conrad Salinger
    • On the Riviera – Alfred Newman
    • Alice in Wonderland – Oliver Wallace
Best Original Song Best Sound Recording
  • "In the Cool, Cool, Cool of the Evening" from Here Comes the Groom – Music by Hoagy Carmichael; Lyric by Johnny Mercer
    • "A Kiss to Build a Dream On" from The Strip – Music and Lyric by Bert Kalmar, Harry Ruby and Oscar Hammerstein II
    • "Never" from Golden Girl – Music by Lionel Newman; Lyric by Eliot Daniel
    • "Too Late Now" from Royal Wedding – Music by Burton Lane; Lyric by Alan Jay Lerner
    • "Wonder Why" from Rich, Young and Pretty – Music by Nicholas Brodszky; Lyric by Sammy Cahn
  • The Great Caruso – Douglas Shearer, MGM Studio Sound Department
    • Two Tickets to Broadway – John O. Aalberg, RKO Radio Studio Sound Department
    • I Want You – Gordon Sawyer, Samuel Goldwyn Studio Sound Department
    • Bright Victory – Leslie I. Carey, Universal-International Studio Sound Department
    • A Streetcar Named Desire – Nathan Levinson, Warner Bros. Studio Sound Department
Best Art Direction, Black and White Best Art Direction, Color
  • A Streetcar Named Desire – Art Direction: Richard Day; Set Decoration: George James Hopkins
    • La Ronde – Art Direction and Set Decoration: D'Eaubonne
    • Too Young to Kiss – Art Direction: Cedric Gibbons and Paul Groesse; Set Decoration: Edwin B. Willis and Jack D. Moore
    • House on Telegraph Hill – Art Direction: Lyle Wheeler and John DeCuir; Set Decoration: Thomas Little and Paul S. Fox
    • Fourteen Hours – Art Direction: Lyle Wheeler and Leland Fuller; Set Decoration: Thomas Little and Fred J. Rode
  • An American in Paris – Art Direction: Cedric Gibbons and Preston Ames; Set Decoration: Edwin B. Willis and Keogh Gleason
    • Tales of Hoffmann – Art Direction and Set Decoration: Hein Heckroth
    • Quo Vadis – Art Direction: William A. Horning, Cedric Gibbons and Edward Carfagno; Set Decoration: Hugh Hunt
    • David and Bathsheba – Art Direction: Lyle Wheeler and George Davis; Set Decoration: Thomas Little and Paul S. Fox
    • On the Riviera – Art Direction: Lyle Wheeler and Leland Fuller; Musical Settings: Joseph C. Wright; Set Decoration: Thomas Little and Walter M. Scott
Best Cinematography, Black and White Best Cinematography, Color
  • A Place in the Sun – William C. Mellor
    • The Frogmen – Norbert Brodine
    • Strangers on a Train – Robert Burks
    • Death of a Salesman – Franz Planer
    • A Streetcar Named Desire – Harry Stradling
  • An American in Paris – Alfred Gilks and John Alton
    • Show Boat – Charles Rosher
    • When Worlds Collide – John F. Seitz and W. Howard Greene
    • David and Bathsheba – Leon Shamroy
    • Quo Vadis – Robert Surtees and William V. Skall
Best Costume Design, Black and White Best Costume Design, Color
  • A Place in the Sun – Edith Head
    • A Streetcar Named Desire – Lucinda Ballard
    • The Model and the Marriage Broker – Charles LeMaire and Renie
    • Kind Lady – Walter Plunkett and Gile Steele
    • The Mudlark – Edward Stevenson and Margaret Furse
  • An American in Paris – Orry-Kelly, Walter Plunkett and Irene Sharaff
    • Tales of Hoffmann – Hein Heckroth
    • David and Bathsheba – Charles LeMaire and Edward Stevenson
    • Quo Vadis – Herschel McCoy
    • The Great Caruso – Helen Rose and Gile Steele
Best Film Editing Best Visual Effects
  • A Place in the Sun – William Hornbeck
    • An American in Paris – Adrienne Fazan
    • The Well – Chester Schaeffer
    • Decision Before Dawn – Dorothy Spencer
    • Quo Vadis – Ralph E. Winters
  • When Worlds Collide

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