Reception
Robert Canning on IGN named "24 Minutes" the best episode of the season and gave it a 9.6/10 saying "this smart, funny, spot-on parody of 24 was so good that it came very close to redeeming the entire season." He also stated "Though much of Season Eighteen was quite mediocre, "24 Minutes" ranks up there with the best of all time". In 2007, Simon Crerar of The Times listed Sutherland's performance as one of the thirty-three funniest cameos in the history of the show. In 2012, Johnny Dee of The Guardian listed the episode as one of his five favorite episodes in the history of The Simpsons. He wrote: "One reason why The Simpsons has remained so watchable is that its parodies are getting sharper – The Departed in Debarted, The Da Vinci Code in Gone Maggie Gone. None though can top this excellent riff which begins with Kiefer Sutherland announcing 'Previously on 24… I mean The Simpsons,' and dispenses with its normal format completely for an entire episode of split-screen thrills, torture and cake baking." James Greene of Nerve.com however, put the episode eighth on his list Ten Times The Simpsons Jumped the Shark, criticizing that "this by-the-numbers Simpsons parody of FOX's number-one crime drama stank of cross promotion".
Read more about this topic: 24 Minutes
Famous quotes containing the word reception:
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)