In music, 22 equal temperament, called 22-tet, 22-edo, or 22-et, is the tempered scale derived by dividing the octave into 22 equal steps (equal frequency ratios). Play Each step represents a frequency ratio of 21/22, or 54.55 cents ( Play).
The idea of dividing the octave into 22 steps of equal size seems to have originated with nineteenth-century music theorist RHM Bosanquet. Inspired by the division of the octave into 22 unequal parts in the music theory of India, Bosanquet noted that such an equal division was capable of representing 5-limit music with tolerable accuracy. In this he was followed in the twentieth century by theorist José Würschmidt, who noted it as a possible next step after 19 equal temperament, and J. Murray Barbour in his survey of tuning history, Tuning and Temperament. Contemporary advocates of 22 equal temperament include music theorist Paul Erlich.
Read more about 22 Equal Temperament: Interval Size
Famous quotes containing the words equal and/or temperament:
“The root of the discontent in American women is that they are too well educated.... There will be no real content among American women unless they are made and kept more ignorant or unless they are given equal opportunity with men to use what they have been taught. And American men will not be really happy until their women are.”
—Pearl S. Buck (1892–1973)
“Temperament is the primary requisite for the critic—a temperament exquisitely susceptible to beauty, and to the various impressions that beauty gives us.”
—Oscar Wilde (1854–1900)