227 (TV Series) - Origins

Origins

The series was adapted from a play written in 1978 by Christine Houston about the lives of women in a predominantly black apartment building in 1950s Chicago. The setting of the series, however, was changed to present-day Washington, D.C. The show was created as a starring vehicle for Marla Gibbs, who had become famous as Florence Johnston, the sassy maid on The Jeffersons, and had starred in Houston's play in Los Angeles. This role was similar in nature to that of tart-tongued Florence; Gibbs' character, housewife Mary Jenkins, loved a good gossip and often spoke what she thought, with sometimes not-so-favorable results.

According to Gibbs, 227 was originally offered to ABC, but sold to NBC. The show was targeted to begin in 1986 since The Jeffersons was still on the air on CBS. However, when The Jeffersons was abruptly and unexpectedly canceled in 1985, Gibbs was free to begin, and 227 went into production a year earlier than had been previously planned.

Read more about this topic:  227 (TV series)

Famous quotes containing the word origins:

    Grown onto every inch of plate, except
    Where the hinges let it move, were living things,
    Barnacles, mussels, water weeds—and one
    Blue bit of polished glass, glued there by time:
    The origins of art.
    Howard Moss (b. 1922)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?”
    Katharine Hamnett (b. 1948)