20th Century Concert Dance - Relationship To Art Movements

Relationship To Art Movements

Although they may share the names of art movements, the dance forms may not relate to them directly. From an ideological and conceptual point of view the connections are shown below:

  • Expressionism
    • Free dance
    • Modern dance
    • Expressionist dance
      • Ausdruckstanz
        • Tanztheater (dance theatre)
        • Physical theatre
  • Modernism
    • Postmodern dance
      • Dance improvisation
        • Contact improvisation
  • Postmodernism
    • Postmodern dance
      • Contemporary dance
      • Dance for camera

Notes:

  1. This list is given as an illustrative example and should not be used for re classification
  2. Postmodern dance falls under two categories due to its complex nature (see Postmodernism).
  3. Choreographers using a postmodernist process may produce works that are classical, romantic, expressionist, modernist or postmodernist (etc.) in appearance (see Postmodernism).

Read more about this topic:  20th Century Concert Dance

Famous quotes containing the words relationship to, relationship, art and/or movements:

    Artists have a double relationship towards nature: they are her master and her slave at the same time. They are her slave in so far as they must work with means of this world so as to be understood; her master in so far as they subject these means to their higher goals and make them subservient to them.
    Johann Wolfgang Von Goethe (1749–1832)

    The relationship between mother and professional has not been a partnership in which both work together on behalf of the child, in which the expert helps the mother achieve her own goals for her child. Instead, professionals often behave as if they alone are advocates for the child; as if they are the guardians of the child’s needs; as if the mother left to her own devices will surely damage the child and only the professional can rescue him.
    Elaine Heffner (20th century)

    O Westmoreland, thou art a summer bird,
    Which ever in the haunch of winter sings
    The lifting up of day.
    William Shakespeare (1564–1616)

    Spirit borrows from matter the perceptions on which it feeds and restores them to matter in the form of movements which it has stamped with its own freedom.
    Henri Bergson (1859–1941)