Electronic Music
For centuries, instrumental music had either been created by singing, drawing a bow across or plucking taught gut or metal strings (string instruments), constricting vibrating air (woodwinds and brass) or hitting or stroking something (percussion). In the early twentieth century, devices were invented that were capable of generating sound electronically, without an initial mechanical source of vibration.
As early as the 1930s, composers such as Olivier Messiaen incorporated electronic instruments into live performance. Recording technology was used to produce art music, as well. The musique concrète of the late 1940s and 1950s was produced by editing together natural and industrial sounds.
In the years following World War II, some composers were quick to adopt developing electronic technology. Electronic music was embraced by composers such as Edgard Varèse, Karlheinz Stockhausen, Milton Babbitt, Pierre Boulez, Luigi Nono, Herbert Brün, and Iannis Xenakis.
In the 1950s the film industry also began to make extensive use of electronic soundtracks. From the late 1960s onward, much popular music was developed on synthesizers by pioneering groups like Heaven 17, The Human League, Art of Noise, and New Order.
Read more about this topic: 20th-century Music
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