Music
Original music:
- Shigeru Umebayashi – "2046 Main Theme" (scenes 5, 15 and closing credits), "2046 Main Theme (Rumba Version)" (scene 25), "Interlude I" (scenes 29, 38), "Polonaise" (scenes 37, 43), "Lost", "Long Journey" (Scenes 40–41), "Interlude II" (Scene 30), "2046 Main Theme" (With Percussion, Train Remix)
Adopted music:
- Peer Raben – "Dark Chariot" (Scenes 7–9, 12–13) from Rainer Werner Fassbinder's Querelle (1982) and "Sisyphos At Work" (Scene 4) from Fassbinder's film The Third Generation (1979)
- Xavier Cugat – "Siboney" (scenes 6 (instrumental), 17, 19, 24), "Perfidia" (scenes 10, 39)
- Dean Martin – "Sway" (scene 18)
- Georges Delerue – "Julien et Barbara" from François Truffaut's Vivement Dimanche! (1983) (scenes 21–23, 42)
- Connie Francis – "Siboney"
- Vincenzo Bellini and Felice Romani – "Casta Diva" from Bellini's Norma, performed by Angela Gheorghiu and the London Symphony Orchestra, directed by Evelino Pido – recorded in 2000 (scenes 11, 14, 28, 36) and Bellini's Il pirata (scenes 16, 26)
- Zbigniew Preisner – "Decision" from Thou shalt not kill, part 5 of Krzysztof Kieślowski's The Decalogue
- Secret Garden – "Adagio" with David Agnew (cor anglais) (scenes 3, 27, 31, 34)
- Nat King Cole and the Nat King Cole Trio – "The Christmas Song" (1946 version with strings) (scenes 20, 35)
Read more about this topic: 2046 (film)
Famous quotes containing the word music:
“I am advised to give her music a mornings; they say it will
penetrate.”
—William Shakespeare (15641616)
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—Herbert Marcuse (18981979)
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)