Highest-grossing Films
See also: List of 2006 box office number-one films in Canada, South Korea, the United Kingdom, and the United StatesThese are the top grossing films that were first released in 2006. The top ten films of 2006, by worldwide gross in United States dollars, as well as the United States, Canada, United Kingdom, and Australia grosses, are as follows:
Rank | Title | Studio | Director(s) | Worldwide | United States and Canada | United Kingdom | Australia |
---|---|---|---|---|---|---|---|
1 | Pirates of the Caribbean: Dead Man's Chest | Disney | Gore Verbinski | $1,066,179,725 | $423,315,812 | $98,668,102 | $28,477,460 |
2 | The Da Vinci Code | Columbia | Ron Howard | $758,239,851 | $217,536,138 | $55,723,141 | $20,561,541 |
3 | Ice Age: The Meltdown | Fox/Blue Sky | Carlos Saldanha | $655,388,158 | $195,330,621 | $52,328,847 | $17,960,331 |
4 | Casino Royale | MGM/Columbia | Martin Campbell | $594,239,066 | $167,445,960 | $105,932,056 | $25,391,472 |
5 | Night at the Museum | Fox | Shawn Levy | $574,480,052 | $250,863,268 | $40,838,600 | $18,944,343 |
6 | Cars | Disney/Pixar | John Lasseter | $461,983,149 | $244,082,982 | $30,858,370 | $13,450,636 |
7 | X-Men: The Last Stand | Fox/Marvel | Brett Ratner | $459,359,555 | $234,362,462 | $35,817,332 | $12,601,706 |
8 | Mission: Impossible III | Paramount | J.J. Abrams | $397,850,012 | $134,029,801 | $29,032,559 | $8,446,854 |
9 | Superman Returns | Warner Bros. | Bryan Singer | $391,081,192 | $200,081,192 | $30,157,106 | $10,300,000 |
10 | Happy Feet | Warner Bros. | George Miller | $384,335,608 | $198,000,317 | $37,779,303 | $26,245,071 |
Read more about this topic: 2006 In Film
Famous quotes containing the word films:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)