Contemporary World Cinema
- 3-Iron (Kim Ki-duk)
- After the Day Before (Attila Janisch)
- Almost Brothers (Lúcia Murat)
- The Alzheimer Case (Erik Van Looy)
- Antares (Götz Spielmann)
- As Follows (Federico Veiroj)
- BOMBÓN - El Perro (Carlos Sorín)
- Breaking News (Johnnie To)
- Brodeuses (Eléonore Faucher)
- Brothers (Susanne Bier)
- Cool (Theo van Gogh)
- Crónicas (Sebastián Cordero)
- Days and Hours (Pjer Žalica)
- Dead Man's Shoes (Shane Meadows)
- Dear Frankie (Shona Auerbach)
- Duck Season (Fernando Eimbcke)
- Earth and Ashes (Atiq Rahimi)
- L'Équipier (Philippe Lioret)
- La Femme de Gilles (Frédéric Fonteyne)
- Ferpect Crime (Álex de la Iglesia)
- Hidden Flaws (Paula van der Oest)
- The Holy Girl (Lucrecia Martel)
- Hotel (Jessica Hausner)
- The Keys to the House (Gianni Amelio)
- Ils se marièrent et eurent beaucoup d'enfants (Yvan Attal)
- Inconscientes (Joaquín Oristrell)
- Innocent Voices (Luis Mandoki)
- Lila dit ça (Ziad Doueiri)
- The Limb Salesman (Anais Granofsky)
- Little Sky (María Victoria Menis)
- Ma mère (Christophe Honoré)
- Male Fantasy (Blaine Thurier)
- Mon père est ingénieur (Robert Guédiguian)
- My Summer of Love (Paweł Pawlikowski)
- Mysterious Skin (Gregg Araki)
- Niceland (Fridrik Thor Fridriksson)
- Nobody Knows (Hirokazu Koreeda)
- Oldboy (Park Chan-wook)
- Our Own (Dmitry Meskhiyev)
- Plastic Flowers (Liu Bingjian)
- Quill (Yoichi Sai)
- Real Life (Panos Koutras)
- Rois et reine (Arnaud Desplechin)
- Rolling Family (Pablo Trapero)
- Shiza (Gulshat Omarova)
- Siblings (David Weaver)
- Somersault (Cate Shortland)
- Spider Forest Song (Il-gon)
- Stray Dogs (Marzieh Meshkini)
- The Tuner (Kira Muratova)
- Turtles Can Fly (Bahman Ghobadi)
- Two Great Sheep (Liu Hao)
- Up and Down (Jan Hřebejk)
- Walk on Water (Eytan Fox)
- Whisky (Juan Pablo Rebella, Pablo Stoll)
- Wilby Wonderful (Daniel MacIvor)
- The Woodsman (Nicole Kassell)
- The World (Jia Zhangke)
Read more about this topic: 2004 Toronto International Film Festival
Famous quotes containing the words contemporary, world and/or cinema:
“I have the strong impression that contemporary middle-class women do seem prone to feelings of inadequacy. We worry that we do not measure up to some undefined level, some mythical idealized female standard. When we see some women juggling with apparent ease, we suspect that we are grossly inadequate for our own obvious struggles.”
—Faye J. Crosby (20th century)
“Actually we are a vulgar, pushing mob whose passions are easily mobilized by demagogues, newspaper men, religious quacks, agitators and such like. To call this a society of free peoples is blasphemous. What have we to offer the world besides the superabundant loot which we recklessly plunder from the earth under the maniacal delusion that this insane activity represents progress and enlightenment?”
—Henry Miller (1891–1980)
“I rather think the cinema will die. Look at the energy being exerted to revive it—yesterday it was color, today three dimensions. I don’t give it forty years more. Witness the decline of conversation. Only the Irish have remained incomparable conversationalists, maybe because technical progress has passed them by.”
—Orson Welles (1915–1984)