Contemporary World Cinema
- 3-Iron (Kim Ki-duk)
- After the Day Before (Attila Janisch)
- Almost Brothers (Lúcia Murat)
- The Alzheimer Case (Erik Van Looy)
- Antares (Götz Spielmann)
- As Follows (Federico Veiroj)
- BOMBÓN - El Perro (Carlos Sorín)
- Breaking News (Johnnie To)
- Brodeuses (Eléonore Faucher)
- Brothers (Susanne Bier)
- Cool (Theo van Gogh)
- Crónicas (Sebastián Cordero)
- Days and Hours (Pjer Žalica)
- Dead Man's Shoes (Shane Meadows)
- Dear Frankie (Shona Auerbach)
- Duck Season (Fernando Eimbcke)
- Earth and Ashes (Atiq Rahimi)
- L'Équipier (Philippe Lioret)
- La Femme de Gilles (Frédéric Fonteyne)
- Ferpect Crime (Álex de la Iglesia)
- Hidden Flaws (Paula van der Oest)
- The Holy Girl (Lucrecia Martel)
- Hotel (Jessica Hausner)
- The Keys to the House (Gianni Amelio)
- Ils se marièrent et eurent beaucoup d'enfants (Yvan Attal)
- Inconscientes (Joaquín Oristrell)
- Innocent Voices (Luis Mandoki)
- Lila dit ça (Ziad Doueiri)
- The Limb Salesman (Anais Granofsky)
- Little Sky (María Victoria Menis)
- Ma mère (Christophe Honoré)
- Male Fantasy (Blaine Thurier)
- Mon père est ingénieur (Robert Guédiguian)
- My Summer of Love (Paweł Pawlikowski)
- Mysterious Skin (Gregg Araki)
- Niceland (Fridrik Thor Fridriksson)
- Nobody Knows (Hirokazu Koreeda)
- Oldboy (Park Chan-wook)
- Our Own (Dmitry Meskhiyev)
- Plastic Flowers (Liu Bingjian)
- Quill (Yoichi Sai)
- Real Life (Panos Koutras)
- Rois et reine (Arnaud Desplechin)
- Rolling Family (Pablo Trapero)
- Shiza (Gulshat Omarova)
- Siblings (David Weaver)
- Somersault (Cate Shortland)
- Spider Forest Song (Il-gon)
- Stray Dogs (Marzieh Meshkini)
- The Tuner (Kira Muratova)
- Turtles Can Fly (Bahman Ghobadi)
- Two Great Sheep (Liu Hao)
- Up and Down (Jan Hřebejk)
- Walk on Water (Eytan Fox)
- Whisky (Juan Pablo Rebella, Pablo Stoll)
- Wilby Wonderful (Daniel MacIvor)
- The Woodsman (Nicole Kassell)
- The World (Jia Zhangke)
Read more about this topic: 2004 Toronto International Film Festival
Famous quotes containing the words contemporary, world and/or cinema:
“The attraction of horror is a mental, or even an intellectual, excitement, but the fascination of the repulsive, so noticeable in contemporary writing, can spring openly from some rotted substance within our civilization ...”
—Ellen Glasgow (1873–1945)
“Universal empire is the prerogative of a writer. His concerns are with all mankind, and though he cannot command their obedience, he can assign them their duty. The Republic of Letters is more ancient than monarchy, and of far higher character in the world than the vassal court of Britain.”
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“Photography is truth. The cinema is truth twenty-four times per second.”
—Jean-Luc Godard (b. 1930)