2002 Toronto International Film Festival - Special Presentations

Special Presentations

  • 8 Femmes/8 Women (France) François Ozon
  • 8 Mile (USA) Curtis Hanson
  • Adolphe (France) Benoît Jacquot
  • Assassination Tango (USA) Robert Duvall
  • Auto Focus (USA) Paul Schrader
  • Between Strangers (Canada/Italy) Edoardo Ponti
  • Bowling for Columbine (USA) Michael Moore
  • City of Ghosts (USA) Matt Dillon
  • Dirty Deeds (Australia) David Caesar
  • Divine Intervention (France/Palestine/Morocco/Germany) Elia Suleiman
  • The Emperor's Club (USA) Michael Hoffman
  • Evelyn (Ireland) Bruce Beresford
  • Heaven (France/Germany/USA) Tom Tykwer
  • I've Heard the Mermaids Singing (Canada) Patricia Rozema
  • Laurel Canyon (USA) Lisa Cholodenko
  • Max (Canada/Germany/USA) Menno Meyjes
  • Miyazaki's Spirited Away (Japan/USA) Hayao Miyazaki
  • Punch-Drunk Love (USA) Paul Thomas Anderson
  • The Quiet American (Australia/USA) Phillip Noyce
  • Rabbit-Proof Fence (Australia) Phillip Noyce
  • The Secret Lives of Dentists (USA) Alan Rudolph
  • Shaolin Soccer (Hong Kong/China) Stephen Chow
  • Standing in the Shadows of Motown (USA) Paul Justman
  • Tso Chaplin Mutual Shorts: Easy Street; The Cure; The Adventurer (USA) Charles Chaplin
  • Talk to Her (Spain) Pedro Almodóvar
  • "Touching Wild Horses" (Canada/United Kingdom/Germany) Eleanore Lindo
  • La Turbulence Des Fluides (Canada) Manon Briand
  • The Wild Thornberrys Movie (USA) Jeff McGrath and Cathy Malkasian

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    In this century the writer has carried on a conversation with madness. We might almost say of the twentieth-century writer that he aspires to madness. Some have made it, of course, and they hold special places in our regard. To a writer, madness is a final distillation of self, a final editing down. It’s the drowning out of false voices.
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