Team Movement
2002 was a year of expansion for the NLL, particularly north of the border. No less than four teams were added, three of them Canadian: the New Jersey Storm, Montreal Express, Vancouver Ravens, and Calgary Roughnecks all made their NLL debuts. The expansion caused the NLL to return to a divisional format for the first time since 1994. The teams were split into the Eastern, Central, and Northern divisions; the winners of each division would make the playoffs, as well as the top three ranked non-division-winners. The Eastern division consisted of Washington, Philadelphia, New York, and New Jersey, the Central division had Albany, Rochester, Montreal, Buffalo, and Columbus, while the remaining Canadian teams (Toronto, Ottawa, Vancouver, and Calgary) were in the Northern division.
Early in the morning of February 14, limousine driver Costas Christofi was found shot to death at the home of New Jersey Storm owner Jayson Williams. Williams was later arrested and charged with manslaughter. Williams was acquitted of most charges, but was to be retried for reckless manslaughter. However, the case was delayed several times. On Monday, January 11, 2010, Williams plead guilty to aggravated assault in the case, and was sentenced on February 23, 2010. Williams would remain owner of the Storm until the franchise folded after the 2005 season.
For the first time in league history, a team changed arenas midseason, as the Ottawa Rebel left the Corel Centre for the smaller Ottawa Civic Centre. There were two home games left in the season at the time of the move.
Read more about this topic: 2002 NLL Season
Famous quotes containing the words team and/or movement:
“They’re two good old friends of mine. I call them Constitution and The Bill of Rights. A most dependable team for long journeys. Then I’ve got another one called Missouri Compromise. And a Supreme Court—a fine, dignified horse, though you have to push him on every now and then.”
—Dan Totheroh (1895–1976)
“An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.”
—Eleanor Robson Belmont (1878–1979)