Mixed Martial Arts
The following is a list of major noteworthy MMA events during 1994 in chronological order.
Before 1997, the Ultimate Fighting Championship (UFC) was considered the only major MMA organization in the world and featured many fewer rules than are used in modern MMA.
| Date | Event | Alternate Name/s | Location | Attendance | PPV Buyrate | Notes |
| March 11 | UFC 2: No Way Out | UFC 2 The Ultimate Fighting Championship 2 |
Denver, Colorado, US | 2,000 | 300,000 | UFC rule change, time limits were dropped. Groin strikes became legal again, however still illegal to grab the genitals. Cage design was modified.
The first and only sixteen-man tournament in UFC history. |
| September 9 | UFC 3: The American Dream | Charlotte, North Carolina, US | UFC rule change, referee is officially given the right to stop a fight. Kicking with shoes is banned, however this rule was quickly discarded. | |||
| December 16 | UFC 4: Revenge of the Warriors | Tulsa, Oklahoma, US | 5,857 | UFC rule change, After tournament alternate Steve Jennum won UFC 3 by winning only one bout, alternates (replacements) were required to win a pre-tournament bout to qualify for the role of an alternate. |
Read more about this topic: 1994 In Sports
Famous quotes containing the words mixed, martial and/or arts:
“Those graceful acts,
Those thousand decencies, that daily flow
From all her words and actions, mixed with love
And sweet compliance, which declare unfeigned
Union of mind, or in us both one soul.”
—John Milton (1608–1674)
“Strike the concertina’s melancholy string!
Blow the spirit-stirring harp like any thing!
Let the piano’s martial blast
Rouse the Echoes of the Past,”
—Sir William Schwenck Gilbert (1836–1911)
“Women hock their jewels and their husbands’ insurance policies to acquire an unaccustomed shade in hair or crêpe de chine. Why then is it that when anyone commits anything novel in the arts he should be always greeted by this same peevish howl of pain and surprise? One is led to suspect that the interest people show in these much talked of commodities, painting, music, and writing, cannot be very deep or very genuine when they so wince under an unexpected impact.”
—John Dos Passos (1896–1970)