1994 In Film
1994 was a significant year in film.
The top grosser worldwide was The Lion King, which to date stands as the highest-grossing traditionally-animated film of all time. Domestically in North America, it was slightly overtaken by Forrest Gump, which won the Academy Award for Best Picture and a second consecutive Academy Award for Best Actor for Tom Hanks.
There were also several popular action films, including Speed and True Lies. In the comedy realm, there was The Mask and Four Weddings and a Funeral, the latter of which shocked Forrest Gump to win the BAFTA award for Best Film. 1994 also featured the watershed Quentin Tarantino film and Palme d'Or winner, Pulp Fiction.
Although a box office disappointment when originally released, 1994's The Shawshank Redemption, based on a Stephen King short story, would eventually become regarded as one of the films considered the greatest ever.
Additionally, Hoop Dreams, a documentary that follows the story of two African-American high school students in Chicago and their dream of becoming professional basketball players, received high critical and popular acclaim and is generally considered one of the best documentary films ever made.
In Blackburn, England, the discovery of approximately 800 well-preserved nitrate negatives shot by the British film pioneers Mitchell and Kenyon, active from 1897 to 1913 but previously known for only a handful of surviving titles, became a major contribution to early cinema.
Read more about 1994 In Film: Top Grossing Films, Awards, Births, Notable Deaths, Film Debuts
Famous quotes containing the word film:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)