Top Grossing Films
| Rank | Title | Studio | Stars | Director | Gross | Budget |
|---|---|---|---|---|---|---|
| 1. | Jurassic Park | Universal | Sam Neill, Laura Dern, Jeff Goldblum, Bob Peck, Martin Ferrero, and Richard Attenborough | Steven Spielberg | $914,691,118 | $63 million |
| 2. | Mrs. Doubtfire | Fox | Robin Williams, Sally Field and Pierce Brosnan | Chris Columbus | $441,286,195 | $25 million |
| 3. | The Fugitive | Warner Bros. | Harrison Ford and Tommy Lee Jones | Andrew Davis | $368,875,760 | $40 million |
| 4. | Schindler's List | Universal | Liam Neeson, Ben Kingsley and Ralph Fiennes | Steven Spielberg | $321,306,305 | $22 million |
| 5. | The Firm | Paramount | Tom Cruise, Jeanne Tripplehorn, Gene Hackman, Holly Hunter, Ed Harris and Gary Busey | Sydney Pollack | $270,248,367 | $42 million |
| 6. | Indecent Proposal | Paramount | Robert Redford, Demi Moore and Woody Harrelson | Adrian Lyne | $266,614,059 | $38 million |
| 7. | Cliffhanger | TriStar | Sylvester Stallone, John Lithgow, Michael Rooker and Janine Turner | Renny Harlin | $255,000,211 | $65 million |
| 8. | Sleepless in Seattle | TriStar | Tom Hanks, Meg Ryan, Bill Pullman, Ross Malinger, Rosie O'Donnell, Rita Wilson and Rob Reiner | Nora Ephron | $227,799,884 | $21 million |
| 9. | Philadelphia | TriStar | Tom Hanks, Denzel Washington, Jason Robards, Antonio Banderas, Mary Steenburgen and Joanne Woodward | Jonathan Demme | $206,678,440 | $26 million |
| 10. | The Pelican Brief | Warner Bros. | Julia Roberts, Denzel Washington, Sam Shepard, John Heard, Tony Goldwyn, Robert Culp, James B. Sikking, John Lithgow, Stanley Tucci and William Atherton | Alan J. Pakula | $195,268,056 | $45 million |
Read more about this topic: 1993 In Film
Famous quotes containing the words top and/or films:
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)