1992 in Music - Classical Music

Classical Music

  • Torstein Aagaard-Nilsen – Arctic Landscape for Military Band
  • Milton Babbitt
    • Septet, but Equal
    • Counterparts for brass quintet
  • Leonardo Balada
    • Symphony No. 4 Lausanne
    • Celebracio for orchestra
  • Mario Davidovsky – Synchronisms No. 10 for guitar and electronic sounds
  • Lorenzo Ferrero
    • La ruta de Cortés (symphonic poem)
    • Movimento americano
  • Philip Glass – Symphony No. 1 Low
  • Percy Grainger – Bridal Lullaby transcribed for orchestra by John Pickard
  • Vagn Holmboe – Svaerm for string quartet (partially arranged from earlier violin duos)
  • Elena Kats-Chernin – Clocks
  • Ka Nin Chan – Saxophone Quartet
  • Andreas Kunstein
    • String Quartet No. 1
    • 10 Epigrams for toy piano
  • Witold Lutosławski – Symphony No. 4
  • William Mathias – Flute Concerto
  • Krzysztof Penderecki – Symphony No. 5 Korean
  • Alwynne Pritchard – Glimpsed Most Clearly From The Corner Of Your Eye (for seven cellos)
  • Karlheinz Stockhausen – Signale zur Invasion, for trombone and electronic music, or unaccompanied trombone
  • Joan Tower – Violin Concerto
  • Malcolm Williamson – Requiem for a Tribe Brother
  • Iannis Xenakis – La Déesse Athéna (Oresteïa III) (1992), for baritone solo and mixed ensemble of 11 instruments

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Famous quotes related to classical music:

    “The basic difference between classical music and jazz is that in the former the music is always greater than its performance—Beethoven’s Violin Concerto, for instance, is always greater than its performance—whereas the way jazz is performed is always more important than what is being performed.”
    —André Previn (b. 1929)