1991 in Film - Top Grossing Films

Top Grossing Films

Rank Title Studio Actors Director Gross Budget
1. Terminator 2: Judgment Day TriStar Arnold Schwarzenegger, Linda Hamilton, Robert Patrick, Edward Furlong, Joe Morton James Cameron $519,843,345 $102 million
2. Robin Hood: Prince of Thieves Warner Bros. Kevin Costner, Mary Elizabeth Mastrantonio, Morgan Freeman, Christian Slater and Alan Rickman Kevin Reynolds $390,493,908 $48 million
3. Beauty and the Beast Disney voices of Paige O'Hara; Angela Lansbury, David Ogden Stiers, Robby Benson, Richard White, and Jerry Orbach Gary Trousdale and Kirk Wise $377,350,553 $25 million
4. Hook TriStar Dustin Hoffman, Robin Williams, Julia Roberts, Bob Hoskins, and Maggie Smith Steven Spielberg $300,854,823 $70 million
5. The Silence of the Lambs Orion Jodie Foster, Anthony Hopkins, Scott Glenn, Ted Levine, Anthony Heald, and Diane Baker Jonathan Demme $272,742,922 $19 million
6. JFK Warner Bros. Kevin Costner, Tommy Lee Jones, Gary Oldman, Joe Pesci, Kevin Bacon, Walter Matthau, Jack Lemmon, Edward Asner, Donald Sutherland, and Sissy Spacek Oliver Stone $205,405,498 N/A
7. The Addams Family Paramount Anjelica Huston, Raúl Juliá, Christopher Lloyd, Dan Hedaya, Judith Malina, Elizabeth Wilson, and Christina Ricci Barry Sonnenfeld $191,502,426 $30 million
8. Cape Fear Universal Robert De Niro, Nick Nolte, Jessica Lange, Juliette Lewis, Joe Don Baker, Martin Balsam, Robert Mitchum, and Gregory Peck Martin Scorsese $182,291,969 N/A
9. Hot Shots! Fox Charlie Sheen, Cary Elwes, Valeria Golino and Lloyd Bridges Jim Abrahams $181,096,164 $26 million
10. City Slickers Columbia Billy Crystal, Daniel Stern, Bruno Kirby, and Jack Palance Ron Underwood $179,033,791 $27 million

Read more about this topic:  1991 In Film

Famous quotes containing the words top and/or films:

    Name me, if you can, a better feeling than the one you get when you’ve half a bottle of Chivas in the bag with a gram of coke up your nose and a teenage lovely pulling off her tube top in the next seat over while you’re doing a hundred miles an hour in a suburban side street.
    —P.J. (Patrick Jake)

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)