In Popular Culture
The collapse of the Boston Red Sox in Game 6 and Game 7 prompted a series of articles by George Vecsey of the New York Times, in which he mentions a "Babe Ruth Curse." Although it had long been noted that the selling of Babe Ruth to the New York Yankees had marked the beginning of a down period in the Red Sox's fortunes, this was one of the first instances, if not the first, in which mention of a "curse" was made. The term "Curse of the Bambino" was not in common use by the press during the 1920s, nor can it be found through the 1970s, as a search of historical newspapers will illustrate. In fact, even though Vecsey's articles mention a "Babe Ruth Curse", the New York Times did not use the phrase "Curse of the Bambino" until 1990, the year that Dan Shaughnessy's book of the same name and a Boston Globe article about it were published. Shaughnessy's book The Curse of the Bambino helped that phrase become a key part of the Red Sox lore in the media thereafter.
The dramatic sixth game was the subject of Game 6, a 2005 independent film starring Michael Keaton, based on a 1991 screenplay by novelist Don DeLillo.
Village Voice film critic J. Hoberman included Game 6 in his list of the top ten films of 1986.
In his song "Faith and Fear in Flushing Meadows", twee/folk artist Harry Breitner makes mention of Ray Knight and Mookie Wilson.
NBC's telecast of the Series ended with the song "Limelight" from Stereotomy, penultimate album of The Alan Parsons Project.
The Series, and especially Game 6, were referenced in the Seinfeld episode "The Boyfriend", which also guest starred former Mets player Keith Hernandez.
In the Curb Your Enthusiasm episode "Mister Softee", Bill Buckner appeared as a guest star, and mocked his famous 1986 mishap by missing a crucial catch of a Mookie Wilson-signed baseball. As the episode is being concluded, he redeemed himself by catching a baby thrown from a burning building.
Read more about this topic: 1986 World Series
Famous quotes containing the words popular culture, popular and/or culture:
“Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
—Mason Cooley (b. 1927)
“That popular fable of the sot who was picked up dead-drunk in the street, carried to the duke’s house, washed and dressed and laid in the duke’s bed, and, on his waking, treated with all obsequious ceremony like the duke, and assured that he had been insane, owes its popularity to the fact that it symbolizes so well the state of man, who is in the world a sort of sot, but now and then wakes up, exercises his reason and finds himself a true prince.”
—Ralph Waldo Emerson (1803–1882)
“Here is this vast, savage, howling mother of ours, Nature, lying all around, with such beauty, and such affection for her children, as the leopard; and yet we are so early weaned from her breast to society, to that culture which is exclusively an interaction of man on man,—a sort of breeding in and in, which produces at most a merely English nobility, a civilization destined to have a speedy limit.”
—Henry David Thoreau (1817–1862)