Published Popular Music
- "Another Suitcase in Another Hall" w. Tim Rice m. Andrew Lloyd Webber from the musical Evita
- "Dallas theme song" m. Jerrold Immel
- "Don't Cry for Me Argentina" w. Tim Rice m. Andrew Lloyd Webber from the musical Evita
- "Grease" w.m. Barry Gibb from the film Grease
- "Honesty" w.m. Billy Joel
- "Hopelessly Devoted to You" w.m. John Farrar introduced by Olivia Newton-John in the film Grease
- "My Life" w.m. Billy Joel
- "Only the Good Die Young" w.m. Billy Joel
- "Sultans of Swing" w.m. Mark Knopfler
- "Thank You for Being a Friend" w.m. Andrew Gold
- "Three Times a Lady" w.m. Lionel Richie
- "You Don't Bring Me Flowers" w. Alan Bergman, Marilyn Bergman & Neil Diamond m. Neil Diamond
- "You're the One That I Want" w.m. John Farrar introduced by Olivia Newton-John and John Travolta in the film Grease
Read more about this topic: 1978 In Music
Famous quotes containing the words popular music, published, popular and/or music:
“The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
—George Steiner (b. 1929)
“For with this desire of physical beauty mingled itself early the fear of death—the fear of death intensified by the desire of beauty.”
—Walter Pater 1839–1894, British writer, educator. originally published in Macmillan’s Magazine (Aug. 1878)
“We live under continual threat of two equally fearful, but seemingly opposed, destinies: unremitting banality and inconceivable terror. It is fantasy, served out in large rations by the popular arts, which allows most people to cope with these twin specters.”
—Susan Sontag (b. 1933)
“Good-by, my book! Like mortal eyes, imagined ones must close some day. Onegin from his knees will rise—but his creator strolls away. And yet the ear cannot right now part with the music and allow the tale to fade; the chords of fate itself continue to vibrate; and no obstruction for the sage exists where I have put The End: the shadows of my world extend beyond the skyline of the page, blue as tomorrow’s morning haze—nor does this terminate the phrase.”
—Vladimir Nabokov (1899–1977)