Classical Music
- Milton Babbitt – Relata II for orchestra
- Samuel Barber – Twelfth Night and To Be Sung on the Water, op. 42
- Luciano Berio –
- O King
- Sinfonia
- Chemins III
- Questo vuol dire che for three female voices, small chorus, tape and other available resources
- Carlos Chávez – Pirámide (ballet)
- John Corigliano – Piano Concerto
- George Crumb – Songs, Drones, and Refrains of Death for baritone, electric guitar, electric double bass, amplified piano/electric harpsichord, and two percussionists
- Mario Davidovsky – Music for Solo Violin
- Peter Maxwell Davies –
- Stedman Caters
- Stedman Doubles (revised version)
- Fantasia on a Ground and 2 Pavans (after Purcell)
- Epistrophe for two pianos
- L’homme armé
- Edison Denisov –
- Osen′ (Autumn), for 13 solo voices
- Oda, pamyati Khe Gevara (Ode in Memory of Che Guevara)
- Romanticheskaya muzïka
- Cristóbal Halffter –
- Symposion
- Yes, Speak Out, Yes
- Roy Harris –
- Symphony no. 12
- Concerto for Amplified Piano, Brass, Double Bass, and Percussion
- Sonata for Cello and Piano (revised version)
- Hans Werner Henze – Das Floß der Medusa
- Heinz Holliger – h for wind quintet
- Ladislav Kupkovic – Souvenir (one of his few recorded works)
- Helmut Lachenmann – temA for flute, voice and cello
- György Ligeti – Zehn Stücke für Bläserquintett (Ten Pieces for Wind Quintet)
- Witold Lutosławski – Livre pour orchestre
- Bo Nilsson – Attraktionen, for string quartet
- Per Nørgård – Rejse ind i den gyldne skærm (Voyage into the Golden Screen)
- Roger Sessions – Symphony no. 8
- Dmitri Shostakovich –
- String Quartet no. 12 in D♭ major, op. 133
- Sonata for Violin and Piano in D major, op. 134
- Karlheinz Stockhausen –
- Aus den sieben Tagen
- Kurzwellen
- Stimmung
- Spiral
- John Tavener – The Whale (cantata)
- David Tudor & Lowell Cross – Reunion
- Charles Wuorinen –
- Flute Variations II
- String Trio
- Iannis Xenakis – Nomos Gamma for 98 musicians dispersed among the audience
Read more about this topic: 1968 In Music
Famous quotes related to classical music:
“Compare the history of the novel to that of rock n roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. Material Differences, Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
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—André Previn (b. 1929)