1967 in Music - Musical Theater

Musical Theater

  • The Boy Friend (Sandy Wilson) – London revival opened at the Comedy Theatre on November 29 and ran for 365 performances
  • By Jupiter (Music: Richard Rodgers Lyrics: Lorenz Hart Book: Rodgers and Hart). Off-Broadway revival opened at Theatre Four on January 19 and ran for 118 performances.
  • Curley McDimple (Music & Lyrics: Robert Dahdah Book: Mary Boylan and Robert Dahdah). Off-Broadway production opened at the Bert Wheeler Theatre on November 22 and ran for 931 performances
  • Fiddler on the Roof (Music: Jerry Bock Lyrics: Sheldon Harnick Book: Joseph Stein). London production opened at Her Majesty's Theatre on February 16 and ran for 2030 performances.
  • The Four Musketeers, (Music: Laurie Johnson Lyrics: Herbert Kretzmer Book: Michael Pertwee). London production opened at the Drury Lane Theatre on December 5 and ran for 462 performances
  • Hallelujah, Baby! – Broadway production
  • Henry, Sweet Henry – Broadway production
  • How Now, Dow Jones – Broadway production
  • Oliver! (Music, Lyrics & Book: Lionel Bart) – London revival opened at the Piccadilly Theatre on April 26 and ran for 331 performances
  • Sweet Charity (Music: Cy Coleman Lyrics: Dorothy Fields Book: Neil Simon). London production opened at the Prince of Wales Theatre on October 11 and ran for 476 performances.

Read more about this topic:  1967 In Music

Famous quotes containing the words musical and/or theater:

    I was with Hercules and Cadmus once,
    When in a wood of Crete they bayed the bear
    With hounds of Sparta: never did I hear
    Such gallant chiding; for besides the groves,
    The skies, the fountains, every region near
    Seemed all one mutual cry. I never heard
    So musical a discord, such sweet thunder.
    William Shakespeare (1564–1616)

    The theater is a baffling business, and a shockingly wasteful one when you consider that people who have proven their worth, who have appeared in or been responsible for successful plays, who have given outstanding performances, can still, in the full tide of their energy, be forced, through lack of opportunity, to sit idle season after season, their enthusiasm, their morale, their very talent dwindling to slow gray death. Of finances we will not even speak; it is too sad a tale.
    Ilka Chase (1905–1978)