1966 in Music - Classical Music

Classical Music

  • Malcolm Arnold – Fantasy for solo flute
  • Jean Barraqué – Chant aprés chant
  • George Crumb – Eleven Echoes of Autumn (Echoes I) for violin, alto flute, clarinet, and piano
  • Mario Davidovsky
    • Junctures for flute, clarinet, and violin
    • Synchronisms No. 4 for chorus and tape
  • John Serry, Sr. – Concerto For Free Bass Accordion
  • Roger Sessions – Symphony No. 6
  • Dmitri Shostakovich – String Quartet No.11 in F minor, Op. 122
  • Karlheinz Stockhausen –
    • Adieu (für Wolfgang Sebastian Meyer), for wind quintet, Nr. 21
    • Solo, for a melody instrument with feedback, Nr. 19
    • Telemusik, electronic and concrete music, Nr. 20
  • Robert Ward – Fiesta Processional

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Famous quotes related to classical music:

    The basic difference between classical music and jazz is that in the former the music is always greater than its performance—Beethoven’s Violin Concerto, for instance, is always greater than its performance—whereas the way jazz is performed is always more important than what is being performed.
    André Previn (b. 1929)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. ‘Material Differences,’ Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)