1965 in Music - Published Popular Music

Published Popular Music

  • "Call Me" w.m. Tony Hatch
  • "The Carnival Is Over" w. Tom Springfield
  • "Do I Hear a Waltz?" w. Stephen Sondheim m. Richard Rodgers. Introduced by Elizabeth Allen in the musical Do I Hear a Waltz?.
  • "Goldfinger" w. Leslie Bricusse & Anthony Newley m. John Barry. Introduced by Shirley Bassey on the soundtrack of the film Goldfinger
  • "Honey Come Back" w.m. Jimmy Webb
  • "I Have Confidence" w.m. Richard Rodgers, from the film The Sound of Music
  • "I Know a Place" w.m. Tony Hatch
  • "The Impossible Dream" w. Joe Darion m. Mitch Leigh Introduced by Richard Kiley in the musical Man of La Mancha
  • "Jeannie" w.m. Hugo Montenegro and Buddy Kaye, theme from the TV series I Dream of Jeannie
  • "Michelle" w.m. John Lennon & Paul McCartney
  • "Moment To Moment" w. Johnny Mercer m. Henry Mancini from the film Moment to Moment
  • "On A Clear Day (You Can See Forever)" w. Alan Jay Lerner m. Burton Lane introduced by John Cullum in the musical On a Clear Day You Can See Forever. Performed in the 1970 film version by Yves Montand.
  • "The Shadow of Your Smile" w. Paul Francis Webster m. Johnny Mandel
  • "She Touched Me" w. Ira Levin m. Milton Schafer. Introduced by Elliott Gould in the musical Drat! The Cat!
  • "Somewhere My Love (Lara's Theme)" Paul Francis Webster m. Maurice Jarre from the film Doctor Zhivago'
  • "Spanish Flea" m. Julius Wechter
  • "What The World Needs Now Is Love". Hal David m. Burt Bacharach
  • "What's New Pussycat?" w. Hal David m. Burt Bacharach from the film What's New Pussycat?
  • "Who Can I Turn To?" w.m. Leslie Bricusse & Anthony Newley from the musical The Roar of the Greasepaint - The Smell of the Crowd
  • "A World of Our Own" w.m. Tom Springfield
  • "(On A) Wonderful Day Like Today" w.m. Leslie Bricusse & Anthony Newley from the musical The Roar of the Greasepaint - The Smell of the Crowd

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Famous quotes containing the words popular music, published, popular and/or music:

    “The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
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