1963 (comics) - Incomplete Status

Incomplete Status

The series has never been finished as originally intended. When first announced, the limited series was supposed to be followed by an 80-page annual, illustrated by Jim Lee, in which the 1963 characters were sent thirty years into "the future", where they met then-contemporary 1993 characters published by Image Comics. Moore intended to make a commentary on how the air of "realism" brought to Marvel Comics in the early 1960s had paved the way for the "mature" and "grim and gritty" American comics of the 1990s. Moore has stated that his own work, Watchmen, is at least partially responsible for this trend.

Unfortunately, Moore was less than halfway through writing the script for the annual when Jim Lee announced that he was taking a year-long sabbatical from comic book art. Moore put the script aside, and after that year had passed, many things had changed. Rob Liefeld had left Image, which meant that some of his characters could not be used. Jim Lee was swamped with work and unlikely to be able to complete the work. The tide had changed, and superhero comics had begun to get less and less gritty, and Moore stated his growing disinterest with writing superheroes.

In 2007, Erik Larsen was asked about the status of the project, and explained "Alan had a falling out with one of the creators on the 1963 project and he did not want to re-open those wounds. That ship may have sailed, sorry to say." Moore has publicly expressed much frustration with Jim Lee for selling Wildstorm comics (which owns Moore's America's Best Comics line) to DC (whom Moore had sworn to never work for again), but it is unconfirmed whether this is what Larsen was referring to. More probably, Larsen was referencing the fact that Moore had cut ties with Steve Bissette due to personal issues. Bissette has outlined how things happened from his perspective, with the problem being an interview he gave to The Comics Journal:

In a later interview Bissette explained problems might have started earlier when the 1963 creators became entangled in the internal politics at Image Comics. He explained that "My perception of events, then and now, is that we did the 1963 series under the invite and umbrella of Image founding co-partner Jim Valentino," however, "Rick Veitch and I found ourselves caught in the crossfire between the Image partners' pissing contests." These partners "quickly took the initiation of the 1963 project as an open door to working with Alan on their respective projects. Again, we didn't realize at the time this also was tied up with their competitive natures: that is, it was Jim Valentino's coup that he got Alan on board via 1963, and the other Image partners wanted a piece of that action, which would also trump Jim Valentino's initial coup."

The comics also contained advertisements for 1963 1/2, which never surfaced either. This was a separate (unrealised) comics project created by Alex Cox, which was previewed in a 2-page sequence in the final issue of 1963. It was not directly associated with Image's 1963 and was also advertised in unrelated publications, e.g. Science Fiction Eye.

The Tomorrow Syndicate are the only characters to be featured outside of the original limited series, having made an appearance alongside Big Bang Comics' Round Table of America, in an issue of Jim Valentino's A Touch of Silver. The Fury also appeared alongside the Syndicate in an issue of Valentino's Shadowhawk, during which the title character traveled back to the past in search of a cure for the AIDS virus.

Bissette has revealed that he and Veitch had been working throughout 2009 to produce a "bare-bones hardcover reprint" of 1963 at Dynamite Entertainment but the plan fell through in January 2010. However, he did reveal that there was a "1998 legal agreement signed by Alan Moore, Rick Veitch and myself dividing up our creative properties" that left Bisette with "N-Man, the Fury, the Hypernaut and Commander Solo & Her Screamin' Skydogs" who, he thought, "fit nicely with a bevy of my own characters and concepts I've never had homes for: Curtis Slarch, Lo!, 'The Big Dig,' and much, much more you’ve never heard of or seen because I could never interest a publisher in those projects." Together they formed "my own invented comics universe — the Naut Comics universe" which became the core of his revival of the 1963 characters he owned, to be published in late 2010 in Tales of the Uncanny – N-Man & Friends: A Naut Comics History, Volume 1.