1962 in Music - Deaths

Deaths

  • January 29 – Fritz Kreisler, violinist, 86
  • February 5 – Jacques Ibert, composer, 71
  • February 7 – Roy Atwell, American actor, comedian and composer, 83
  • February 17 – Bruno Walter, conductor, 85
  • February 22 – Attila the Hun, calypso singer, 69
  • March 24 – Jean Goldkette, jazz musician, 69
  • April 10 – Stuart Sutcliffe, former member of The Beatles, 21 (cerebral paralysis caused by a brain hemorrhage)
  • May 24 - Cloe Elmo, operatic contralto, 52
  • May 27 – Egon Petri, pianist, 81
  • June 12 – John Ireland, pianist and composer, 82
  • June 13 – Sir Eugene Aynsley Goossens, conductor, 69
  • June 15 – Alfred Cortot, pianist and conductor, 84
  • July 11 - René Maison, operatic tenor, 66
  • July 12 – Roger Wolfe Kahn, bandleader, 54 (heart attack)
  • July 25 – Christie MacDonald, actress and singer, 87
  • September 6
    • Hanns Eisler, composer, 64
    • Dermot Troy, lyric tenor, 35 (heart attack)
  • October 6 – Solomon Linda, Zulu musician, 53
  • November 19 - Clara Clemens, concert contralto and daughter of Mark Twain, 88
  • December 7 – Kirsten Flagstad, operatic soprano, 67
  • December 13 – Harry Barris, US singer, composer and pianist, 57 (alcohol-related)
  • December 22 – Roy Palmer, jazz trombonist, 70
  • December 31 - Bella Alten, operatic soprano, 85
  • date unknown - Palladam Sanjiva Rao, flautist and Carnatic musician

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Famous quotes containing the word deaths:

    “This is the 184th Demonstration.
    ...
    What we do is not beautiful
    hurts no one makes no one desperate
    we do not break the panes of safety glass
    stretching between people on the street
    and the deaths they hire.”
    —Marge Piercy (b. 1936)

    “Death is too much for men to bear, whereas women, who are practiced in bearing the deaths of men before their own and who are also practiced in bearing life, take death almost in stride. They go to meet death—that is, they attempt suicide—twice as often as men, though men are more “successful” because they use surer weapons, like guns.”
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    “There is the guilt all soldiers feel for having broken the taboo against killing, a guilt as old as war itself. Add to this the soldier’s sense of shame for having fought in actions that resulted, indirectly or directly, in the deaths of civilians. Then pile on top of that an attitude of social opprobrium, an attitude that made the fighting man feel personally morally responsible for the war, and you get your proverbial walking time bomb.”
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