Musical Theater
- Bye Bye Birdie (Lee Adams and Charles Strouse) – Broadway production opened at the Martin Beck Theatre on April 14 and ran for 607 performances
- Camelot (Alan Jay Lerner and Frederick Loewe) – Broadway production opened at the Majestic Theatre on December 3 and ran for 873 performances
- Do-Re-Mi Broadway production opened at the St. James Theatre on December 26 and ran for 400 performances
- The Fantasticks Off-Broadway production opened at the Sullivan Street Playhouse on May 3 and ran for 17,162 performances
- Flower Drum Song (Rodgers & Hammerstein) – London production opened at the Palace Theatre on March 24 and ran for 464 performances
- From A to Z Broadway revue opened at the Plymouth Theatre on April 20 and ran for 21 performances
- Greenwillow Broadway production opened at the Alvin Theatre on March 8 and ran for 97 performances
- Hooray For Daisy London production opened at the Lyric, Hammersmith on December 20. Starring Eleanor Drew and Robin Hunter.
- Irma La Douce Broadway production opened at the Plymouth Theatre on September 29 and ran for 524 performances
- Oh, Kay! Off Broadway revival opened at the East 74th Street Theatre on April 16 and ran for 119 performances.
- Oliver! (Lionel Bart) – London production opened at the New Theatre on June 30 and ran for 2618 performances
- Parade Broadway revue opened at the Players Theatre on January 20 and ran for 95 performances
- Tenderloin Broadway production opened at the 46th Street Theatre on October 17 and ran for 216 performances.
- The Unsinkable Molly Brown (Meredith Willson) – Broadway production opened at the Winter Garden Theatre on November 3 and ran for 532 performances
- Valmouth Off Broadway production opened at the York Playhouse on October 6 and ran for 14 performances
Read more about this topic: 1960 In Music
Famous quotes containing the words musical and/or theater:
“Fifty million Frenchmen cant be wrong.”
—Anonymous. Popular saying.
Dating from World War Iwhen it was used by U.S. soldiersor before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“The theater is a baffling business, and a shockingly wasteful one when you consider that people who have proven their worth, who have appeared in or been responsible for successful plays, who have given outstanding performances, can still, in the full tide of their energy, be forced, through lack of opportunity, to sit idle season after season, their enthusiasm, their morale, their very talent dwindling to slow gray death. Of finances we will not even speak; it is too sad a tale.”
—Ilka Chase (19051978)