Published Popular Music
- "Adelaide's Lament" w.m. Frank Loesser
- "African Bolero" m. John Serry, Sr.
- "American Beauty Rose" w.m. Hal David, Redd Evans & Arthur Altman
- "Be My Love" w. Sammy Cahn m. Nicholas Brodszky
- "The Best Thing For You" w.m. Irving Berlin
- "Blind Date" w.m. Sid Robin
- "A Bushel And A Peck" w.m. Frank Loesser
- "Candy And Cake" w.m. Bob Merrill
- "Chattanoogie Shoe Shine Boy" w.m. Harry Stone & Jack Stapp
- "Choo'n Gum" w. Mann Curtis m. Vic Mizzy
- "Cold, Cold Heart" w.m. Hank Williams
- "The Cry Of The Wild Goose" w.m. Terry Gilkyson
- "Dearie" w.m. Bob Hilliard & David Mann
- "Freight Train" w. Paul James & Fred Williams m. trad arr. Elizabeth Cotton
- "The French Can-Can Polka" w. Jimmy Kennedy m. Jacques Offenbach
- "From This Moment On" w.m. Cole Porter
- "Frosty the Snowman" w.m. Steve Nelson & Jack Rollins
- "Fugue For Tinhorns" w.m. Frank Loesser
- "Get Out Those Old Records" w.m. Carmen Lombardo & John Jacob Loeb
- "Gone Fishin'" w.m. Nick Kenny & Charles Kenny
- "Guys and Dolls" w.m. Frank Loesser
- "Home Cookin"' w.m. Jay Livingston & Ray Evans
- "Hoop-Dee-Doo" w. Frank Loesser m. Milton De Lugg
- "The Hostess With The Mostes' On The Ball" w.m. Irving Berlin. Introduced by Ethel Merman in the musical Call Me Madam
- "I Almost Lost My Mind" w.m. Ivory Joe Hunter
- "I Didn't Slip, I Wasn't Pushed, I Fell" w.m. Edward Pola & George Wyle
- "I Don't Care If The Sun Don't Shine" w.m. Mack David
- "I Leave My Heart in an English Garden" w.m. Harry Parr-Davies and Christopher Hassall from the musical Dear Miss Phoebe
- "I Tawt I Taw A Puddy Tat" w.m. Alan Livingston, Billy May & Warren Foster
- "If I Knew You Were Comin' I'd've Baked A Cake" w.m. Al Hoffman, Bob Merrill & Clem Watts
- "If I Were A Bell" w.m. Frank Loesser
- "I'll Know" w.m. Frank Loesser
- "I'll Never Be Free" w.m. Bennie Benjamin & George David Weiss
- "I'm Movin' On" w.m. Hank Snow
- "It Is No Secret" w.m. Stuart Hamblen
- "It's A Lovely Day Today" w.m. Irving Berlin
- "I've Never Been In Love Before" w.m. Frank Loesser
- "Ivory Rag" Lou Busch, Jack Elliott
- "La Culebra" m. John Serry, Sr.
- "Little White Duck" w.m. Walt Barrows & Bernard Zaritsky
- "The Loveliest Night Of The Year" w. Paul Francis Webster m. Juventino P. Rosas
- "Luck Be a Lady" w.m. Frank Loesser
- "Lucky Lucky Lucky Me" Berle, Arnold
- "Marry The Man Today" w.m. Frank Loesser
- "Marrying For Love" w.m. Irving Berlin
- "More I Cannot Wish You" w.m. Frank Loesser
- "My Heart Cries For You" w.m. Carl Sigman & Percy Faith
- "My Time Of Day" w.m. Frank Loesser
- "No Other Love" adapt from Chopin's Etude No 3 in E, Opus 10. w.m. Bob Russell & Paul Weston
- "The Old Piano Roll Blues" w.m. Cy Coben
- "The Oldest Established" w.m. Frank Loesser
- "Orange Colored Sky" w.m. Milton De Lugg & William Stein
- "Patricia" w.m. Benny Davis
- "Remember Me (I'm The One Who Loves You)" w.m. Stuart Hamblen
- "The Roving Kind" adapt. w.m. Jessie Cavanaugh & Arnold Stanton
- "Sam's Song" w. Jack Elliott m. Lew Quadling
- "Shot Gun Boogie" w.m. Tennessee Ernie Ford
- "Silver Bells" w.m. Jay Livingston & Ray Evans. Introduced by Bob Hope in the 1951 Musical film The Lemon Drop Kid.
- "Sit Down, You're Rockin' The Boat" w.m. Frank Loesser. Introduced by Stubby Kaye in the musical Guys and Dolls.
- "Sixty Minute Man" w.m. Billy Ward & Rose Marks
- "Sleigh Ride" w. Mitchell Parish m. Leroy Anderson
- "Sue Me" w.m. Frank Loesser
- "The Syncopated Clock" w. Mitchell Parish m. Leroy Anderson
- "Take Back Your Mink" w.m. Frank Loesser. Introduced by Vivian Blaine in the musical Guys and Dolls.
- "The Thing" w.m. Charles R. Grean
- "Tzena, Tzena, Tzena" adapt. trad Hebrew w. (Eng) Mitchell Parish m. Issachar Miron (Stefan Michrovsky) & Julius Grossman
- "You Don't Have To Be A Baby To Cry" w.m. Bob Merrill & Terry Shand
- "You're Just In Love" w.m. Irving Berlin
Read more about this topic: 1950 In Music
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—Native American elder. Quoted in Benjamin Franklin, Autobiography, ch. 8 (written 1771-1790, published 1868)
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“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
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