1948 in Music - Musical Theater

Musical Theater

  • A La Carte London production
  • As the Girls Go Broadway production
  • Bob's Your Uncle (Frank Eyton & Noel Gay) London production opened at the Saville Theatre on May 5 and ran for 363 performances
  • The Boltons Revue London production
  • Cage Me a Peacock (Music: Eve Lynd Lyrics: Adam Leslie Book: Noel Langley) London production opened at the Strand Theatre on June 18 and ran for 337 performances
  • Caribbean Rhapsody London production
  • Carissima London production opened at the Palace Theatre on March 10 and ran for 488 performances
  • Down in the Valley Broadway production
  • High Button Shoes (Jule Styne and Sammy Cahn) - London production opened at the Hippodrome on December 22 and ran for 291 performances
  • Inside U.S.A. Broadway production
  • The Kid from Stratford London production opened at the Prince's Theatre on September 30 and ran for 235 performances
  • Kiss Me, Kate (Cole Porter) - Broadway production opened on December 30 at the New Century Theatre and ran for 1077 performances
  • Lend an Ear Broadway production
  • Look Ma, I'm Dancin'! Broadway production
  • Love Life Broadway production
  • Maid to Measure London revue opened at the Cambridge Theatre on May 20. Starring Jessie Matthews, Tommy Fields, Joan Heal and Lew Parker.
  • Magdalena Broadway production
  • Make Mine Manhattan Broadway production
  • Moonshine New Haven production
  • My Romance (Sigmund Romberg and Rowland Leigh) opened at the Shubert Theatre on October 19, transferred to the Adelphi Theatre (New York) on December 7 and ran for a total of 95 performances
  • Oranges And Lemons London production
  • Slings And Arrows London production
  • That's The Ticket Broadway production
  • Where's Charley? Broadway production opened on October 11 at the St. James Theatre and ran for 792 performances

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Famous quotes containing the words musical and/or theater:

    If we cannot sing of faith and triumph, we will sing our despair. We will be that kind of bird. There are day owls, and there are night owls, and each is beautiful and even musical while about its business.
    Henry David Thoreau (1817–1862)

    It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality. Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.
    Bertolt Brecht (1898–1956)