1946 in Film - Animated Short Film Series

Animated Short Film Series

  • Mickey Mouse (1928–1952)
  • Looney Tunes (1930–1969)
  • Terrytoons (1930–1964)
  • Merrie Melodies (1931–1969)
  • Popeye (1933–1957)
  • Color Rhapsodies (1934–1949)
  • Donald Duck (1936–1956)
  • Pluto (1937–1951)
  • Andy Panda (1939–1949)
  • Goofy (1939–1953)
  • Bugs Bunny (1940–1962)
  • Tom and Jerry (1940-1958)
  • The Fox and the Crow (1941–1950)
  • Woody Woodpecker (1941–1949)
  • Mighty Mouse (1942–1955)
  • Droopy (1943–1958)
  • Chip and Dale (1943–1956)
  • Screwball Squirrel (1943-1946)
  • Yosemite Sam (1945–1963)
  • George and Junior (1946-1948)

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Famous quotes containing the words animated, short, film and/or series:

    Impenetrable in their dissimulation, cruel in their vengeance, tenacious in their purposes, unscrupulous as to their methods, animated by profound and hidden hatred for the tyranny of man—it is as though there exists among them an ever-present conspiracy toward domination, a sort of alliance like that subsisting among the priests of every country.
    Denis Diderot (1713–1784)

    Never mind if you fall far short of the thing you want to do,—encourage your effort. If no one else will say it to you, say it to yourself. “Not so bad.” It will make the next effort easier and better.
    Josephine Demott Robinson (1865–1948)

    Is America a land of God where saints abide for ever? Where golden fields spread fair and broad, where flows the crystal river? Certainly not flush with saints, and a good thing, too, for the saints sent buzzing into man’s ken now are but poor- mouthed ecclesiastical film stars and cliché-shouting publicity agents.
    Their little knowledge bringing them nearer to their ignorance,
    Ignorance bringing them nearer to death,
    But nearness to death no nearer to God.
    Sean O’Casey (1884–1964)

    The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.
    Jeanine Basinger (b. 1936)