Top Grossing Films (U.S.)
Rank | Title | Director | Studio | Leading Star |
---|---|---|---|---|
1. | Sergeant York | Howard Hawks | Warner Bros. | Gary Cooper, Walter Brennan |
2. | They Died with Their Boots On | Raoul Walsh | Warner Bros. | Errol Flynn, Olivia de Havilland |
3. | Honky Tonk | Jack Conway | MGM | Clark Gable, Lana Turner |
4. | A Yank in the RAF | Henry King | 20th Century Fox | Tyrone Power, Betty Grable |
5. | How Green Was My Valley | John Ford | 20th Century Fox | Walter Pidgeon, Maureen O'Hara |
6. | Citizen Kane | Orson Welles | RKO | Orson Welles, Joseph Cotten |
7. | Sullivan's Travels | Preston Sturges | Paramount | Joel McCrea, Veronica Lake |
8. | Moon Over Miami | Walter Lang | 20th Century Fox | Betty Grable, Don Ameche |
9. | Buck Privates | Arthur Lubin | Universal | Bud Abbott, Lou Costello |
10. | Ziegfeld Girl | Robert Z. Leonard | MGM | James Stewart, Judy Garland, Hedy Lamarr |
11. | Ball of Fire | Howard Hawks | RKO | Gary Cooper, Barbara Stanwyck |
12. | The Maltese Falcon | John Huston | Warner Bros. | Humphrey Bogart, Mary Astor |
13. | That Night in Rio | Irving Cummings | 20th Century Fox | Alice Faye, Don Ameche |
14. | Meet John Doe | Frank Capra | Warner Bros. | Gary Cooper, Barbara Stanwyck |
15. | Suspicion | Alfred Hitchcock | RKO | Joan Fontaine, Cary Grant |
16. | Hold Back the Dawn | Mitchell Leisen | Paramount | Charles Boyer, Olivia de Havilland |
17. | Here Comes Mr. Jordan | Alexander Hall | Columbia | Robert Montgomery, Claude Rains |
18. | I Wanted Wings | Mitchell Leisen | Paramount | Ray Milland, William Holden |
19. | Dive Bomber | Michael Curtiz | Warner Bros. | Errol Flynn, Fred MacMurray |
20. | I Wake Up Screaming | H. Bruce Humberstone | 20th Century Fox | Betty Grable, Victor Mature |
Read more about this topic: 1941 In Film
Famous quotes containing the words top and/or films:
“You shouldnt be looking at the bottom of the mountain. Why dont you try looking at the top some time?”
—Robert Riskin (18971955)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)