Top Grossing Films (U.S.)
| Rank | Title | Studio | Actors |
|---|---|---|---|
| 1. | Snow White and the Seven Dwarfs | Disney/R.K.O. | Adriana Caselotti and Lucille La Verne |
| 2. | Saratoga | MGM | Clark Gable and Jean Harlow |
| 3. | One Hundred Men and a Girl | Universal | Deanna Durbin and Leopold Stokowski |
| 4. | Topper | MGM | Constance Bennett and Cary Grant |
| 5. | Wee Willie Winkie | 20th Century Fox | Shirley Temple |
| 6. | Stella Dallas | United Artists | Barbara Stanwyck |
| 7. | In Old Chicago | 20th Century Fox | Tyrone Power, Alice Faye and Don Ameche |
| 8. | The Prince and the Pauper | Warner Bros. | Errol Flynn |
| 9. | The Good Earth | MGM | Paul Muni and Luise Rainer |
| 10. | The Life of Emile Zola | Warner Bros. | Paul Muni |
| 11. | Lost Horizon | Columbia | Ronald Colman and Jane Wyatt |
| 12. | Dead End | United Artists | Sylvia Sidney, Joel McCrea, Claire Trevor and Humphrey Bogart |
| 13. | The Hurricane | United Artists | Dorothy Lamour |
| 14. | Heidi | 20th Century Fox | Shirley Temple |
| 15. | Personal Property | MGM | Jean Harlow and Robert Taylor |
| 16. | Conquest | MGM | Greta Garbo and Charles Boyer |
Read more about this topic: 1937 In Film
Famous quotes containing the words top and/or films:
“She might have been old once and now, miraculously, young again—but with the memory of that other life intact. She seemed to know the world down there in the dark hall and beyond for what it was. Yet knowing, she still longed to leave this safe, sunlit place at the top of the house for the challenge there.”
—Paule Marshall (b. 1929)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)