Classical Music
- William Alwyn - Piano Concerto No. 1
- Arthur Bliss - Morning Heroes (oratorio)
- Aaron Copland - Piano Variations
- Arthur De Greef - Piano Concerto no. 2
- Alexander Glazunov - String Quartet No. 7
- Reynaldo Hahn - Piano Concerto in E
- Howard Hanson - Symphony No. 2, Romantic
- Mikhail Ippolitov-Ivanov - Turkish Fragments
- John Ireland -
- Legend for piano and orchestra
- Piano Concerto in E flat
- Paul Juon - Quintet for Winds in B-flat major
- Zoltán Kodály - Dances of Marosszék
- Igor Markevitch - Concerto Grosso
- Maurice Ravel – Piano Concerto for the Left Hand
- Arnold Schoenberg –
- Begleitungsmusik zu einer Lichtspielszene, for orchestra, op. 34
- Sechs Stücke, for male choir, op. 35
- Igor Stravinsky – Symphony of Psalms
- Heitor Villa-Lobos -
- Bachianas brasileiras No. 1, for orchestra of cellos
- Bachianas brasileiras No. 2, for small orchestra
- Anton Webern - Quartet, for tenor saxophone, violin, cello, and piano, op. 22
Read more about this topic: 1930 In Music
Famous quotes related to classical music:
“The basic difference between classical music and jazz is that in the former the music is always greater than its performance—Beethoven’s Violin Concerto, for instance, is always greater than its performance—whereas the way jazz is performed is always more important than what is being performed.”
—André Previn (b. 1929)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. ‘Material Differences,’ Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)