Musical Theater
- The Balkan Princess London production opened at the Prince of Wales Theatre on February 19 and ran for 176 performances
- The Chocolate Soldier (Rudolf Friml) - London production opened at the Lyric Theatre on September 10 and ran for 500 performances
- The Islander London production opened at the Apollo Theatre on April 23 and ran for 114 performances
- The Jolly Bachelors Broadway production opened at the Broadway Theatre on January 6 and ran for 165 performances
- Die keusche Susanne (m. Jean Gilbert) opened in Magdeburg
- Madame Sherry Broadway production opened at the New Amsterdam Theatre on August 30 and ran for 231 performances
- Naughty Marietta (Rida Johnson Young and Victor Herbert) - Broadway production opened at the New York Theatre on November 7 and ran for 136 performances
- Our Miss Gibbs Broadway production opened at the Knickerbocker Theatre on August 29 and ran for 64 performances
- The Quaker Girl (Music: Lionel Monckton Lyrics: Adrian Ross & Percy Greenbank Book: James T. Tanner). London production opened at the Adelphi Theatre on November 5 and ran for 536 performances. Starring Gertie Millar, Joseph Coyne and C. Hayden Coffin.
- The Satyr London production
- Tillie's Nightmare Broadway production opened at the Herald Square Theatre on May 5 and was revived at the Manhattan Opera House on December 18, 1911 for a total run of 85 performances
- Up and Down Broadway Broadway revue opened at the Casino Theatre on July 18 and ran for 72 performances
- The Yankee Girl Broadway production opened at the Herald Square Theatre on February 10 and ran for 92 performances
- Zigeunerliebe Vienna production opened at the Carltheater on January 8
Read more about this topic: 1910 In Music
Famous quotes containing the words musical and/or theater:
“If we cannot sing of faith and triumph, we will sing our despair. We will be that kind of bird. There are day owls, and there are night owls, and each is beautiful and even musical while about its business.”
—Henry David Thoreau (1817–1862)
“It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality. Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.”
—Bertolt Brecht (1898–1956)