1900 in Music - Recorded Popular Music

Recorded Popular Music

  • "American Patrol"
    - Sousa's Band
  • "A Bird in a Gilded Cage"
    - Harry Macdonough
  • "Doan Ye Cry, Mah Honey"
    - S. H. Dudley
  • "The Duchess Of Central Park"
    - Harry Macdonough
  • "For Old Time's Sake"
    - Will F. Denny
  • "Just Because She Made Dem Goo-Goo Eyes"
    - Dan W. Quinn
  • "Lead, Kindly Light"
    - The Haydn Quartet
  • "A Love-Lorn Lily"
    - Harry Macdonough
  • "Ma Blushin' Rosie"
    - Albert C. Campbell
  • "My Sunflower Sue"
    - Arthur Collins with The Metropolitan Orchestra
  • "O! That We Two Were Maying"
    - Harry Macdonough & Florence Hayward
  • "Strike Up the Band"
    - Dan W. Quinn
  • "Tell Me Pretty Maiden"
    - Lyric Theatre Chorus p. Paul Rubens
  • "When Reuben Comes To Town"
    - Dan W. Quinn on Victor Records
  • "When You Were Sweet Sixteen"
    - Jere Mahoney
  • "Where The Sweet Magnolias Grow"
    - Haydn Quartet

Read more about this topic:  1900 In Music

Famous quotes containing the words recorded, popular and/or music:

    “Fifty million Frenchmen can’t be wrong.”
    —Anonymous. Popular saying.

    Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.

    “Both gossip and joking are intrinsically valuable activities. Both are essentially social activities that strengthen interpersonal bonds—we do not tell jokes and gossip to ourselves. As popular activities that evade social restrictions, they often refer to topics that are inaccessible to serious public discussion. Gossip and joking often appear together: when we gossip we usually tell jokes and when we are joking we often gossip as well.”
    —Aaron Ben-Ze’Ev, Israeli philosopher. “The Vindication of Gossip,” Good Gossip, University Press of Kansas (1994)

    “Music is either sacred or secular. The sacred agrees with its dignity, and here has its greatest effect on life, an effect that remains the same through all ages and epochs. Secular music should be cheerful throughout.”
    —Johann Wolfgang Von Goethe (1749–1832)