Recorded Popular Music
- "American Patrol"
- Sousa's Band - "A Bird in a Gilded Cage"
- Harry Macdonough - "Doan Ye Cry, Mah Honey"
- S. H. Dudley - "The Duchess Of Central Park"
- Harry Macdonough - "For Old Time's Sake"
- Will F. Denny - "Just Because She Made Dem Goo-Goo Eyes"
- Dan W. Quinn - "Lead, Kindly Light"
- The Haydn Quartet - "A Love-Lorn Lily"
- Harry Macdonough - "Ma Blushin' Rosie"
- Albert C. Campbell - "My Sunflower Sue"
- Arthur Collins with The Metropolitan Orchestra - "O! That We Two Were Maying"
- Harry Macdonough & Florence Hayward - "Strike Up the Band"
- Dan W. Quinn - "Tell Me Pretty Maiden"
- Lyric Theatre Chorus p. Paul Rubens - "When Reuben Comes To Town"
- Dan W. Quinn on Victor Records - "When You Were Sweet Sixteen"
- Jere Mahoney - "Where The Sweet Magnolias Grow"
- Haydn Quartet
Read more about this topic: 1900 In Music
Famous quotes containing the words recorded, popular and/or music:
“The force of truth that a statement imparts, then, its prominence among the hordes of recorded observations that I may optionally apply to my own life, depends, in addition to the sense that it is argumentatively defensible, on the sense that someone like me, and someone I like, whose voice is audible and who is at least notionally in the same room with me, does or can possibly hold it to be compellingly true.”
—Nicholson Baker (b. 1957)
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“Truly fertile Music, the only kind that will move us, that we shall truly appreciate, will be a Music conducive to Dream, which banishes all reason and analysis. One must not wish first to understand and then to feel. Art does not tolerate Reason.”
—Albert Camus (1913–1960)