In Popular Culture
- 1934: "Wasn't That a Mighty Storm" is an American folk song concerning the 1900 Galveston hurricane that originated as a spiritual and was revived and popularized by Eric Von Schmidt and Tom Rush in the 1960s.
- 1935: Film director King Vidor was born in Galveston and survived the great Galveston Hurricane of 1900. Based on that experience, he published a fictionalized account of that cyclone, titled "Southern Storm", for the May 1935 issue of Esquire magazine. Erik Larson excerpts a passage from that article in his 2005 book, Isaac's Storm:
- I remember now that it seemed as if we were in a bowl looking up toward the level of the sea. As we stood there in the sandy street, my mother and I, I wanted to take my mother's hand and hurry her away. I felt as if the sea was going to break over the edge of the bowl and come puring down upon us.
- 1946: Meteorologist Joseph L. Cline, who with his brother Isaac Cline played a pivotal role in the hurricane, shares his account of the storm in an autobiograpy titled When the Heavens Frowned.
- 1999: In Isaac's Storm, Erik Larson describes the storm and the pivotal roles played by Galveston Weather Service director Isaac Cline and his meteorologist brother Joseph Cline.
- 2009: Ain Gordon's play A Disaster Begins centers on the Galveston hurricane.
Read more about this topic: 1900 Galveston Hurricane
Famous quotes containing the words popular culture, popular and/or culture:
“Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
—Mason Cooley (b. 1927)
“It is clear that in a monarchy, where he who commands the exceution of the laws generally thinks himself above them, there is less need of virtue than in a popular government, where the person entrusted with the execution of the laws is sensible of his being subject to their direction.”
—Charles Louis de Secondat Montesquieu (1689–1755)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)