Recording History
The earliest traceable orchestral recording, by the Royal Albert Hall Orchestra conducted by Landon Ronald, was issued by HMV on three 12-inch 78rpm sides in 1916. It included bells but no cannon effects. A Royal Opera Orchestra recording of about the same time contains no shots at all.
Antal Doráti's 1954 Mercury Records recording with the Minneapolis Symphony Orchestra, partially recorded at West Point, and using the Yale Memorial Carillon in New Haven, Connecticut, uses a period French single muzzleloading cannon shot dubbed in 16 times as written. On the first edition of the recording, one side played the Overture and the other side played a narrative by Deems Taylor about how the cannon and bell effects were accomplished. (Later editions placed the commentary after the performance on side 1 and the Capriccio Italien on side 2.) A stereophonic version was recorded on April 5, 1958 using the bells of the Laura Spelman Rockefeller Memorial Carillon, at Riverside Church. On this Mercury Living Presence Stereo recording, the spoken commentary was also given by Deems Taylor and the 1812 was coupled with Tchaikovsky's Capriccio Italien. Later editions coupled the 1812 Overture with Dorati's recording of Beethoven's Wellington's Victory, which featured the London Symphony Orchestra and real cannon.
Kenneth Alwyn's early stereo recording for Decca used a recording of slowed-down gunfire instead of cannon fire. Robert Sharples and the London Festival Orchestra released a recording in 1963 which was later remastered in quadrophony by Decca. The Black Dyke Mills Brass Band has also recorded a brass band arrangement of the piece. This recording includes the cannon shots as originally written. In 1990, during a worldwide celebration of the 150th anniversary of Tchaikovsky's birth, the Overture was recorded in the city of his youth by the Saint Petersburg Philharmonic Orchestra using 16 muzzleloading cannons fired live as written in the 1880 score. That recording was done within earshot of the composer's grave. The festival was televised for the first time in USA on March 9, 1991.
The Texan band The Invincible Czars released a rock version of 1812 Overture for the bicentennial of the Battle of Borodino in September 2012. The band had already debuted their arrangement of the piece at the 20th annual OKMozart! classical music festival at Bartlesville, Oklahoma, with professional orchestra musicians, in June 2009, complete with fireworks at the finale. Instrumentation consists of acoustic and electric guitar, acoustic and electric violin, accordion, flute, tenor saxophone, keyboards, bass guitar, drums and triangle. Other than a change in key from E♭ to D and a lengthened At the Gate, at my Gate section, the arrangement is true to the original score.
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