170th Street is a local station on the IRT Jerome Avenue Line of the New York City Subway. Located at the intersection of 170th Street and Jerome Avenue in the Bronx, it is served by the 4 train at all times.
This elevated station, opened on June 2, 1917 and rehabilitated in 2004, has three tracks and two side platforms. Both platforms have beige windscreens and mesh fences and red canopies with green frames and support columns in the center and white steel waist-level fences at either ends with white lampposts at regular intervals.
The station's only entrance/exit is an elevated station house beneath the tracks. Inside fare control, it has two staircases to each platform at the center and a waiting area that allows a free transfer between directions. Outside fare control, it has a turnstile bank, token booth, and three street stairs going down to either side of Jerome Avenue between 170th Street and Elliot Place, two to the east side and one to the west.
The 2005 artwork here is called Views from Above by Dina Bursztyn. It features stained glass windows on the platform windscreens and station house based on Bursztyn's experience on riding elevated trains.
Famous quotes containing the words street, jerome and/or avenue:
“The American father ... is never seen in London. He passes his life entirely in Wall Street and communicates with his family once a month by means of a telegram in cipher.”
—Oscar Wilde (1854–1900)
“Some people are under the impression that all that is required to make a good fisherman is the ability to tell lies easily and without blushing; but this is a mistake. Mere bald fabrication is useless; the veriest tyro can manage that. It is in the circumstantial detail, the embellishing touches of probability, the general air of scrupulous—almost of pedantic—veracity, that the experienced angler is seen.”
—Jerome K. Jerome (1859–1927)
“Has anyone ever told you that you overplay your various roles rather severely, Mr. Kaplan? First you’re the outraged Madison Avenue man who claims he’s been mistaken for someone else. Then you play the fugitive from justice, supposedly trying to clear his name of a crime he knows he didn’t commit. And now you play the peevish lover stung by jealously and betrayal. It seems to me you fellows could stand a little less training from the FBI and a little more from the Actors Studio.”
—Ernest Lehman (b.1920)