Original Broadway Production
The musical opened on May 4, 1976 at the Mark Hellinger Theatre and closed on May 8, 1976 after 7 performances and 13 previews. It was co-directed and co-choreographed by Gilbert Moses and George Faison.
The musical examined the establishment of the White House and its occupants from 1800 to 1900. Primarily focusing on race relations, the story depicted (among other incidents) Thomas Jefferson's then-alleged affair with a black maid, James Monroe's refusal to halt slavery in Washington, the aftermath of the American Civil War and Andrew Johnson's impeachment. Throughout the show, the leading actors performed multiple roles: Ken Howard played all the presidents, Patricia Routledge all the First Ladies, and Gilbert Price and Emily Yancy played the White House servants, Lud and Seena. Future Broadway stars Reid Shelton, Walter Charles, Beth Fowler and Richard Muenz appeared in ensemble roles, as did the young African American baritone Bruce Hubbard.
The show was originally intended to be performed as a play-within-a-play, with the show's actors stepping out of character to comment on the plot and debate race relations from a modern standpoint. But this concept was almost entirely removed during the show's out-of-town tryouts in Philadelphia and Washington, D.C. The musical's original director, Frank Corsaro, choreographer, Donald McKayle, and set and costume designer, Tony Walton, left the production during these try-outs.
By the time the show opened on Broadway, little of the metatheatrical concept remained, aside from certain scenic and costume elements and a few musical references (most notably, the opening number "Rehearse!").
Discouraged by the critical and public response to the work and angry that during the tryouts much of his music had been condensed and edited without his consent, Bernstein refused to allow a cast recording of the musical.
Read more about this topic: 1600 Pennsylvania Avenue (musical)
Famous quotes containing the words original, broadway and/or production:
“As our domestic fowls are said to have their original in the wild pheasant of India, so our domestic thoughts have their prototypes in the thoughts of her philosophers.”
—Henry David Thoreau (1817–1862)
“The name of the town isn’t important. It’s the one that’s just twenty-eight minutes from the big city. Twenty-three if you catch the morning express. It’s on a river and it’s got houses and stores and churches. And a main street. Nothing fancy like Broadway or Market, just plain Broadway. Drug, dry good, shoes. Those horrible little chain stores that breed like rabbits.”
—Joseph L. Mankiewicz (1909–1993)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)