Post-Elevators Careers
After pleading insanity in response to drugs charges---he was arrested for possession of a single marijuana joint---Roky Erickson was committed to a mental hospital in 1969. allmusic.com's Jason Ankeny has written that the treatments Erickson received during his three-and-a-half-year may have contributed to his subsequent mental troubles. At that point the Elevators had already dissolved, although local promoters, along with their record label, International Artists, made some attempts to keep the band's name alive. Erickson attempted a sporadic solo career, burdened by management who exploited his instability and involved him in contracts that left him no control or profit from his music. After staying mostly out of sight in the 1980s, Erickson gradually returned to music in the 1990s, especially when the tribute album Where The Pyramid Meets The Eye---featuring players from ZZ Top, The Jesus and Mary Chain and R.E.M., all of whom claimed Erickson's or the Elevators' influence---was released. He recorded All That May Do My Rhyme for the Trance Syndicate label, owned by the Butthole Surfers's King Coffey, who claimed Erickson told him it was the first time he'd ever been given a royalty check for his music. By 2001, Erickson's brother Sumner had been awarded custody of the troubled musician and helped him receive better psychological treatment, restore his physical health, and connect with a legal team that helped him untangle his complicated past contracts and begin receiving more royalties for his music. I Have Always Been Here Before, a 43-track compilation of his post-Elevators music, was released in 2005, and Erickson receives full royalties for the set.
Stacy Sutherland formed his own band, Ice, which performed only in Houston and never released any material. In 1969, after a battle with heroin addiction, he was imprisoned in Texas on drug charges, the culmination of several years of drug related trouble with the law. After his release Sutherland began to drink heavily. He continued to sporadically play music throughout the 1970s, occasionally with former members of the Elevators. Sutherland was accidentally shot and killed by his wife Bunny on August 24, 1978 during a domestic dispute, and is buried in Center Point, Kerr County, Texas.
Danny Galindo played bass with Jimmie Vaughan's (Stevie Ray's older brother) band Storm in Austin, Texas during the 1970s. He died in 2001 from complications of hepatitis C.
Danny Thomas left the 13th Floor Elevators in 1968 and was hired to perform with blues guitarist Sam "Lightnin'" Hopkins. After leaving Texas and returning to North Carolina he played from 1970-1997 with: Lou Curry Band, Dogmeat, and Bessie Mae's Dream. During this time, he owned his own delivery company called Gophers Inc. Prior to that he worked in accounting at Carolinas Medical Center (formerly Charlotte Memorial Hospital). He lives in Charlotte, North Carolina with his wife, Juanette, and they have two daughters, Christina Juanette Thomas and Tiffany Joan Thomas Johnson, and son, Jason Vincent Brock.
Benny Thurman joined a string of other bands, most notably Mother Earth, with Powell St. John, and played with Plum Nelly in the 1970s.
Tommy Hall currently lives in downtown San Francisco. In the 1980s he was rumored to be the true identity of Texas outsider musician Jandek, but this has since been disproven. He became a devout follower of Scientology in the 1970s.
Various Elevators tribute/related bands exist, such as "The John Ike Walton Revival" featuring namesake John Ike Walton (formerly known as The Tommy Hall Schedule), and Acid Tomb, featuring members of The Alice Rose. Erickson's youngest brother Sumner Erickson covers many Elevators songs with his band The Texcentrics.
Read more about this topic: 13th Floor Elevators
Famous quotes containing the word careers:
“So much of the trouble is because I am a woman. To me it seems a very terrible thing to be a woman. There is one crown which perhaps is worth it alla great love, a quiet home, and children. We all know that is all that is worthwhile, and yet we must peg away, showing off our wares on the market if we have money, or manufacturing careers for ourselves if we havent.”
—Ruth Benedict (18871948)