Origins
112 was first standardized by a decision of the EU Council in 1991 and subsequently reaffirmed in 2002 by article 26 of the Universal Service Directive and its subsequent amendments.
This choice of number has the following advantages:
- Using at least two different digits significantly reduces the risk of accidental calls from numeric keypads. Young children, vibrations, defective keys and collisions with other objects are much more likely to press the same key repeatedly rather than pressing a sequence of different keys. Accidental calls to emergency centres from mobile phones are a particular problem with same-digit numbers, such as the UK's 999.
- In the days of rotary dial telephones, using only those digits that require the least motion of a rotary dial (1 and 2) permitted a dial lock in hole 3 to effectively disable unauthorized access to the telephone network without preventing access to the emergency number 112. The same choice also maximized dialing speed. Additionally, in accordance to the previous point, prior to DTMF it was possible to dial "1" by shortly activating the hook, so repeatedly pushing the hook might result in calling 1-1-1. For this reason, Germany's police department emergency number was changed from 111 into 110.
Read more about this topic: 112 (emergency Telephone Number)
Famous quotes containing the word origins:
“The settlement of America had its origins in the unsettlement of Europe. America came into existence when the European was already so distant from the ancient ideas and ways of his birthplace that the whole span of the Atlantic did not widen the gulf.”
—Lewis Mumford (18951990)
“Lucretius
Sings his great theory of natural origins and of wise conduct; Plato
smiling carves dreams, bright cells
Of incorruptible wax to hive the Greek honey.”
—Robinson Jeffers (18871962)
“Compare the history of the novel to that of rock n roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. Material Differences, Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)