Fictional Doberman Pinschers
- Buster (the Doberman/Rottweiler mix) from Disney's 2001 film Lady and the Tramp II: Scamp's Adventure
- "Maximilian" (real name "Blackie") in the 2011 Martin Scorsese film "Hugo"
- 1991 film Eyes Of An Angel starring John Travolta has its plot around a Doberman.
- Tiny from "The Bold and the Beautiful" as The Forrester Guard Dog
- Maddie, Pompie Tea Rose, in film "SEPTEMBER" Winner of many awards including BAFTA 2009
- Daisy from Stuart Woods' Holly Barker series of novels.
- In the Resident Evil film series, shows undead Dobermans
- Luca from the 2004 film "Garfield: The Movie"
- El Diablo from the 2008 Disney film "Beverly Hills Chihuahua"
- Alpha from the 2009 Disney/Pixar animated film "Up"
- Roscoe and DeSoto in the 1988 Disney animated film "Oliver & Company"
- The Doberman Gang (1972) - After a failed bank robbery, an ex-con, an ex-waitress and a few of their friends train a pack of doberman dogs to rob a bank for them.
- The boys from Brazil.
- The Video Game series Pokemon Dual Dark-Fire type Houndoom's appearance is based on a Doberman.
- The Video Game Final Fantasy 6, or Final Fantasy 3 in North America, the character Shadow's dog is modeled after a Doberman.
In the 1990 horror film "It" the main antagonist Pennywise turns into a Doberman which is the guard's worst fear and kills him in this form by mauling him to death.
- Sniper from Japanese anime and manga, Ginga Nagareboshi Gin and Ginga Densetsu Weed.
- "Remo Williams: The Adventure Begins" a 1985 movie with 3 incredibly smart Doberman Pinschers.
Read more about this topic: Doberman Pinscher, Famous Doberman Pinschers
Famous quotes containing the word fictional:
“One of the proud joys of the man of letters—if that man of letters is an artist—is to feel within himself the power to immortalize at will anything he chooses to immortalize. Insignificant though he may be, he is conscious of possessing a creative divinity. God creates lives; the man of imagination creates fictional lives which may make a profound and as it were more living impression on the world’s memory.”
—Edmond De Goncourt (1822–1896)