Architecture of Turkey - 1920s and 1930s: First National Architectural Movement and Modernism

1920s and 1930s: First National Architectural Movement and Modernism

First National Architectural Movement (in Turkish: Birinci Ulusal Mimarlik Akimi) was an architectural movement led by Turkish architects Vedat Tek and Mimar Kemaleddin Bey. Followers of the movement wanted to create a new architecture which was based on motifs from Ottoman architecture but without Arabic or Islamic references. The movement was also labelled Turkish Neoclassical or the National Architectural Renaissance. The other followers of this movement were Arif Hikmet Koyunoglu and Giulio Mongeri. Buildings from this era are the State Art and Sculpture Museum (1927–30), Ethnography Museum of Ankara (1925–28), Bebek Mosque, Kamer Hatun Mosque and Tayyare Apartment Building.

There were various architectural experiments in the 1920s and 1930s as well. Ankara Central Station (1937) and Florya Atatürk Marine Mansion (1935) are considered as more contemporary architectural examples of the era.

  • First Ziraat Bank Headquarters (1925–29) in Ankara designed by Giulio Mongeri is an important symbol of the First National Architectural Movement.

  • State Art and Sculpture Museum designed by Arif Hikmet Koyunoğlu (1927–30)

  • Designed by Şekip Akalın, Ankara Central Station (1937) is a notable art deco design of its era.

Read more about this topic:  Architecture Of Turkey

Famous quotes containing the words national, movement and/or modernism:

    Mr. Christian, it is about time for many people to begin to come to the White House to discuss different phases of the coal strike. When anybody comes, if his special problem concerns the state, refer him to the governor of Pennsylvania. If his problem has a national phase, refer him to the United States Coal Commission. In no event bring him to me.
    Calvin Coolidge (1872–1933)

    When it had long since outgrown his purely medical implications and become a world movement which penetrated into every field of science and every domain of the intellect: literature, the history of art, religion and prehistory; mythology, folklore, pedagogy, and what not.
    Thomas Mann (1875–1955)

    By Modernism I mean the positive rejection of the past and the blind belief in the process of change, in novelty for its own sake, in the idea that progress through time equates with cultural progress; in the cult of individuality, originality and self-expression.
    Dan Cruickshank (b. 1949)